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[38] vers de societe;, in sonnets, and very short poems generally; indeed, the quality of Aldrich is the more apparent the shorter the poem, many of his best poems being quatrains. In Songs and sonnets, a selection from his work published in 1906, the shorter poems have been brought together in a captivating little volume. Aldrich called Herrick ‘a great little poet’; he merits the title himself.1

In the Transcendental period, it was said that one could not throw a stone in Boston without hitting a poet; in the latter half of the century one's chances would have been little better. Representative, perhaps, of the countless lesser poets of New England in this period are Thomas William Parsons (1819– 92), a Boston dentist who translated the Inferno admirably in terza rima and wrote poems of small merit save On a Bust of Dante, which, through its Dantesque elevation and purity of form, deserves to rank with the best American lyrics; William Wetmore Story (1819-95), of Salem, lawyer, later sculptor in Italy, his adopted home, a poet influenced by Tennyson and Browning, whose passionate Cleopatra and lofty Praxiteles and Phryne are among his most successful work; Lucy Larcom (1826-93), who spent her girlhood in the Lowell cotton mills, and whose lyrics, too often sentimental, show the influence of Whittier; Celia Thaxter (1836-94), whose father was lighthouse keeper on the Isles of Shoals, where the blended beauties and austerities of sea and rocks evoked many poems of nature in her sympathetic temperament; and J. G. Holland (1819-81),2 who lived in Massachusetts till 1870, when he founded Scribner's monthly (now The century magazine) in New York, a versatile author whose poems, such as the long Bitter sweet and Kathrina, little read now, were widely popular in their day.

Of the New York authors, the most prominent in the first part of the half century was Bayard Taylor. As Aldrich belongs not only to New York but also to New England, so Taylor belongs not only to New York but also to Pennsylvania, where he was born in Kennett Square in 1825. By that time the State had lost what literary glories it had ever had, and although a new brood of native writers had just been born—T. Buchanan Read in 1822, Boker3 in 1823, Leland4 in 1824—New York was

1 For Aldrich's prose see Book III, Chap, VI.

2 See Book III, Chap. XI.

3 See Book II, Chap. II.

4 See Book III, Chap. IX.

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