Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1

Boston has been greatly enlivened during the past month by a really fine opera, the troupe from Havana, much better than the N. Y. troupe, with a fine orchestra and chorus, all Italians. The Prima Donna is an artist of the first order, and has an exquisite voice. I have had season tickets, and have been nearly every night. This is a great indulgence, as it is very expensive, and I have one of the best boxes in the house, but Chev is the most indulgent of husbands. I never knew anything like it. Think of all he allows me, a house and garden, a delicious carriage and pair of horses, etc., etc., etc. My children are coming on famously. Julia, or as she calls herself, Romana, is really a fine creature, full of sensibility and of talent. She learns very readily, and reasons about things with great gravity. She remembers every tune that she hears, and can sing a great many songs. She is very full of fun, and so is my sweet Flossy, my little flaxen-haired wax doll. I play for them on the piano, Lizzie beats the tambourine, and the two babies take hold of hands and dance. “Is not your heart fully satisfied with such a sight?” you will ask me. I reply, dear Wevie, that the soul whose desires are not fixed upon the unattainable is dead even while it liveth, and that I am glad, in the midst of all my comforts, to feel myself still a pilgrim in pursuit of something that is neither house nor lands, nor children, nor health. What that something is I scarce know. Sometimes it seems to me one thing and sometimes another. Oh, immortality, thou art to us but a painful rapture, an ecstatic burthen in this earthly life. God teach me to bear thee until thou shalt bear me!