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of the most important words in the document was added through his strenuous representations.
The central thought of the picture once decided upon and embodied, the rest naturally followed; one after another the seven figures surrounding the President dropped into their places.
Those supposed to have held the purpose of the Proclamation as their long conviction, were placed prominently in the foreground in attitudes which indicated their support of the measure; the others were represented in varying moods of discussion or silent deliberation.
A few evenings after the completion of the design I went to see a friend who I knew was intimate with the Hon. Schuyler Colfax and Hon. Owen Lovejoy, through whom I hoped to obtain Mr. Lincoln's assent to my plan.
I revealed to him my purpose, and asked his assistance in carrying it into effect.
During the following week he went to Washington, and in company with Mr. Colfax called upon the President, and laid before him my project.
He kindly listened to the details, and then said: “In short, if I understand you, you wish me to consent to sit to this artist for the picture?”
My friends acknowledged this to be the object of their errand.
Mr. Lincoln at once, with his accustomed kindness, promised his cooperation.
The last day of the year the Hon. Mr. Lovejoy, whom I had never met, but who had become warmly interested in the execution of the work, being in New York, called at my studio with the wife of my
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