Collection: | Athens, National Archaeological Museum |
Title: | The Great Eleusinian Relief |
Context: | From Eleusis |
Findspot: | Found at Eleusis, reused as a threshold in a Byzantine church, near the church of St. Zacharias (1859) |
Summary: | A youth between Demeter and Kore |
Object Function: | Votive? |
Material: | Marble |
Sculpture Type: | Stele, relief-decorated |
Category: | Original/copies |
Style: | High Classical |
Technique: | Low relief |
Original or Copy: | Original |
Date: | ca. 440 BC - ca. 430 BC |
Dimensions: | H. 2.18 m; W. 1.52 m; Th. 0.215 m; D. (relief) 0.03 m |
Scale: | Slightly over life-size |
Region: | Attica |
Period: | High Classical |
Subject Description:
Demeter, standing profile to the right, wearing a peplos and sandals, shoulder-length curly hair, holding a scepter (with a floral finial) vertically in her upraised left hand, holds her right hand in front of her body, in open position, and tilts her head slightly down; a boy, perhaps Ploutos, standing profile to the left, with his weight on his left leg, and his right leg relaxed, wearing a himation draped over his right shoulder and held in lowered left, hand, and sandals, raises his right hand, with his thumb (broken off) pointing to Demeter; Kore, standing profile to the left, with her weight on her right leg, and her left leg relaxed, wearing a medium-sleeved chiton, a himation draped around her lower body, and over her left shoulder, sandals, a taenia around which her hair is rolled, and metal earrings (now missing), cradles a long torch in the crook of her left arm, raises her right hand above the head of the boy, probably to crown him, and tilts her head down.
The boy on this relief has been variously interpreted as Triptolemos, Eubouleus, Iakchos, Nisos, a child initiate from the hearth (Ridgway and Welcker), an ordinary initiate, a nobleman, a victor in the Eleusinian games, and Ploutos. The latter identification has been made most recently by Clinton, following Ludwig Stephani. Clinton bases his identification on the following points: (1) the boy, although shorter than the two goddesses, is shown on the same scale, and therefore shares the same status as a "deity" (39); (2) sandals would be inappropriate for an initiate (Schwarz 193); (3) at this time a standing, nude, Triptolemos, without his chariot, is unattested. Another strong argument against the identification of the boy as Triptolemos, is that no traces of bronze attachments are visible for the attachment of grain stalks (Métzger 114), although there are traces of bronze attachment elsewhere on the relief (e.g., the hole for the wreath at front of forehead of the boy, which Kore is putting on his head). Clinton reasserts (55) that the boy is firmly grasping a grain bundle, now lost, that may have been glued on to the marble. According to his argument that this figure is rather Ploutos, he suggests that Demeter is not giving something (grain) to the boy, but is perhaps receiving something from him, as would be appropriate with Ploutos (39-40). The Ploutos identification is a tempting alternative to Triptolemos, especially as the boy is dressed as Ploutos usually is, with drapery over his shoulder; in the absence of the primary attribute, the keras, however, it is difficult to be sure
Form & Style: Framed on the top with a moulding, mostly broken off (H. 0.08 m), and at the bottom with a plain plinth (H. 0.06 m; D. 0.04 m).
Condition: Complete
Condition Description: Restored from six fragments, joined with plaster, preserving almost all of the stele, missing some chips (filled in), especially across the body of Demeter, and on the plinth; heavily weathered surface, with yellowish-brown stains and gray adhesions; some erosion on the relief, obscuring facial features of the figures (especially the chin on Kore). Attachment holes are drilled just in front of the head of "Ploutos," with one behind; also clamp holes (for modern installation), one on the right edge, and a second one, filled in, on the left edge; back rough-picked, but covered with patches of modern plaster, and two or more (modern) bronze clamps, slightly plastered over.
Material Description: Fine-grained, white marble
Sources Used: Hesperia Suppl. 20 (1982) 115; Eleusis (Athens 1896) 78-79.
Other Bibliography: