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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 1 1 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for February 12th, 1870 AD or search for February 12th, 1870 AD in all documents.

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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Book III (continued) (search)
riginality was tied hand and foot. He was borrowing French villains, and making his American men exclaim egad. Daly adapted and wrote over four dozen plays. Among his so-called original attempts, this generation can recall only Divorce (Fifth Avenue Theatre, 5 September, 1871), Horizon (Olympic Theatre, 25 March, 1871), and Pique (Fifth Avenue Theatre, 14 December, 1875); among his adaptations, Leah the forsaken (Niblo's Garden, 19 January, 1863), Frou-Frou (Fifth Avenue Theatre, 12 February, 1870), and Article 47 (Fifth Avenue Theatre, 2 April, 1872). But in these, as in most of his attempts, he does not deserve any more claim to native originality than Matilda Heron does for her version of Camille (Wallack's Broome St. Theatre, 22 January, 1857), or A. M. Palmer for his productions of D'Ennery and Cormon's A celebrated case, adapted by A. R. Cazauran (Boston Museum, 28 January, 1878), and D'Ennery's The two orphans, adapted by Hart Jackson (Union Square Theatre, 21 December, 1