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Southern Historical Society Papers, Volume 11. (ed. Reverend J. William Jones) 6 0 Browse Search
Knight's Mechanical Encyclopedia (ed. Knight) 4 0 Browse Search
Thomas Wentworth Higginson, Atlantic Essays 2 0 Browse Search
Southern Historical Society Papers, Volume 36. (ed. Reverend J. William Jones) 2 0 Browse Search
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They are grasped by pincers and pulled through. Em-broid′er-y. Ornamentation by raised figures of needle-work. This is a very ancient art. The Egyptians, Babylonians, Medes, and Persians all excelled in it. The adornments of the tabernacle in the wilderness were of tapestry worked in blue, scarlet, and gold. The garment of Sisera, as referred to by Deborah, was embroidery, needle-work on both sides. See damask. Homer refers to embroidery as the occupation of Helen and Andromache. The tents of wealthy Arabs have an inner covering of white embroidered stuff beneath the dark, outer, water-proof covering of goat's-hair. The Tartar women excel in embroidery, and exhibit in this a skill, taste, and variety that is really admirable. It is very doubtful whether it would be possible to find, even in France, embroideries as beautiful and perfect as those sometimes executed by Tartar women. — Abbe Huc's Travels in Tartary. The tent of a late Persian shah was a load
he game of thimblerig occurs in a painting, and the illustration is from the work of Professor Rosellini. Egyptian toys (Museum of Leyden). Toys have been disinterred by General di Cesnola from the tombs of Golgoi and Idalium in Cyprus, — painted dolls of clay modeled with the fingers; mounted cavaliers armed with shields, or horses attached four abreast to cars. One, a horse a foot in length, rolling on movable wheels, was found in a diminutive grave, older probably than Hector and Andromache. The toys of the Roman children were of various kinds; some found at Pesaro were little leaden gods and goddesses, with altars and sacrificial instruments (Lararium puerile). They had also puppets, geometrical figures of ivory to be fitted together, dolls, terra-cotta figures with arms and legs moved by a string, like the modern patins and marionettes; popguns, blow-guns, bows and arrows, tops. Hooker, the naturalist, states that he was amused at the Monastery of Doobdi, in Sikkim, w
Thomas Wentworth Higginson, Atlantic Essays, Ought women to learn the alphabet? (search)
peruse Ovid's Art of love, since they know it all in advance; remarks that three quarters of female authors are no better than they should be; maintains that Madame Guion would have been far more useful had she been merely pretty and an ignoramus, such as Nature made her,--that Ruth and Naomi could not read, and Boaz probably would never have married into the family, had they possessed that accomplishment,that the Spartan women did not know the alphabet, nor the Amazons, nor Penelope, nor Andromache, nor Lucretia, nor Joan of Arc, nor Petrarch's Laura, nor the daughters of Charlemagne, nor the three hundred and sixty-five wives of Mohammed; but that Sappho and Madame de Maintenon could read altogether too well; while the case of Saint Brigitta, who brought forth twelve children and twelve books, was clearly exceptional, and afforded no safe precedent. It would seem that the brilliant Frenchman touched the root of the matter. Ought women to learn the alphabet? There the whole ques
Southern Historical Society Papers, Volume 11. (ed. Reverend J. William Jones), Sketch of the Lee Memorial Association. (search)
nt in the country. As a work of pure ideal art and that into which he has put most of his own conception, Mr. Valentine himself sets the highest value on his Andromache and Astyanax, and if he is enabled to carry out his idea in marble, it will be accepted as his masterpiece. The moment represented is that after which the sorung, sunny child-face, innocent of all care or trouble, together with the tense, elastic figure, is brought into exquisite contrast with the utter relaxation of Andromache's pose, the neglected distaff across the lap, the drooping head, the limp, supine arm, the expression of apprehension and grief. It tells this lovely Homeric s, or Boston, or New York, is it too much to say that his hands would be filled with commissions? Is it beyond the truth to aver that his pathetic and exquisite Andromache and Astyanax would have been gracing in marble some princely saloon, instead of having to wait in the moulder's clay for an order? Is it putting it too strongl
Southern Historical Society Papers, Volume 36. (ed. Reverend J. William Jones), Constitution and the Constitution. (search)
The heart of the Southern woman. What men and women, bound together by a sacrament of blood and sorrow, then bore, has been hidden out of sight. The majesty of a broken life, which yet was master of the breaking pain, drew up in moral squares of battle. If force abounded, faith more abounded. There could be no better proof of the moral sceptre of the South than that it has held such sway in the heart of the Southern woman. She has built the monument to Hector, though as yet none to Andromache. A force of grandeur dared to turn the battle to the gate. It must have been the feeling of this which caused Mr. Robert Y. Conrad to say of his stricken Commonwealth, with a son's emotion: She is lovelier in her weeds and woe than in her queenliest days. Yet lovelier, with that divine face of sorrows, whose halo comes from suffering for the sins of others—without sin. For them who stood beneath what seemed the blows of an almighty malice a voice out of thick darkness said, or seemed