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Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 20 0 Browse Search
Mrs. John A. Logan, Reminiscences of a Soldier's Wife: An Autobiography 9 1 Browse Search
Frank Preston Stearns, Cambridge Sketches 8 0 Browse Search
Thomas Wentworth Higginson, Book and heart: essays on literature and life 6 0 Browse Search
Eliza Frances Andrews, The war-time journal of a Georgia girl, 1864-1865 6 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 6 0 Browse Search
Francis Jackson Garrison, William Lloyd Garrison, 1805-1879; the story of his life told by his children: volume 2 4 0 Browse Search
Thomas Wentworth Higginson, Letters and Journals of Thomas Wentworth Higginson 4 0 Browse Search
Colonel William Preston Johnston, The Life of General Albert Sidney Johnston : His Service in the Armies of the United States, the Republic of Texas, and the Confederate States. 4 0 Browse Search
Thomas Wentworth Higginson, John Greenleaf Whittier 4 0 Browse Search
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Browsing named entities in Thomas Wentworth Higginson, Atlantic Essays. You can also browse the collection for Dickens or search for Dickens in all documents.

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Thomas Wentworth Higginson, Atlantic Essays, Americanism in literature. (search)
the resemblance ends. Where in our imaginative literature does one find the concentrated utterance, the intense and breathing life, the triumphs and despairs, the depth of emotion, the tragedy, the thrill, that meet one everywhere in those Elizabethan pages? What impetuous and commanding men are these, what passionate women; how they love and hate, struggle and endure; how they play with the world ; what a trail of fire they leave behind them as they pass by! Turn now to recent fiction. Dickens's people are amusing and lovable, no doubt; Thackeray's are wicked and witty; but how under-sized they look, and how they loiter on the mere surfaces of life, compared, I will not say with Shakespeare's, but even with Chapman's and Webster's men. Set aside Hawthorne in America, with perhaps Charlotte Bronte and George Eliot in England, and there would scarcely be a fact in prose literature to show that we modern Anglo-Saxons regard a profound human emotion as a thing worth the painting. Wh