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Southern Historical Society Papers, Volume 12. (ed. Reverend J. William Jones) 22 0 Browse Search
William Hepworth Dixon, White Conquest: Volume 2 18 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 12 0 Browse Search
The writings of John Greenleaf Whittier, Volume 4. (ed. John Greenleaf Whittier) 10 0 Browse Search
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 9: Poetry and Eloquence. (ed. Francis Trevelyan Miller) 10 0 Browse Search
The Daily Dispatch: April 5, 1861., [Electronic resource] 10 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 1 9 1 Browse Search
Southern Historical Society Papers, Volume 30. (ed. Reverend J. William Jones) 8 0 Browse Search
The Daily Dispatch: March 29, 1861., [Electronic resource] 8 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 6 0 Browse Search
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Browsing named entities in The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 1: The Opening Battles. (ed. Francis Trevelyan Miller). You can also browse the collection for Gray or search for Gray in all documents.

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The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 1: The Opening Battles. (ed. Francis Trevelyan Miller), Preface 2; the photographic record as history (search)
realized the importance of getting at once into connection with the fleet, and the general was properly appreciative of the energy with which the task was executed. See my Bummers, said Old Sherman with most illigant emotion. Ain't their heads as horizontal as the bosom of the ocean? The raising of Old Glory over the Fort was the signal for the steaming up-stream of the supply ships, and that evening Grant and his staff-during the final campaign Just as the veterans in Blue and Gray were lining up for the final struggle — before Petersburg, June, 1864--this photograph was taken of the future victor, at his City Point headquarters, surrounded by his faithful staff. They are (from left to right, sitting) Colonel John A. Rawlins, Adjutant-General; Colonel C. B. Comstock, A. D. C.; Lieutenant-General U. S. Grant; Major M. M. Morgan, Chief Commissary Colonel Ely S. Parker, Military Secretary; Colonel O. E. Babcock, A. D. C.; (standing) Captain Henry Janes, Quartermaster for
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 1: The Opening Battles. (ed. Francis Trevelyan Miller), Bull Run — the volunteers face fire (search)
Winfield Scott, whose military career had begun before most of the men of 1861 had been born. Aged and infirm, Young southerners at Richmond making light of war Skylarking before the lens of the Confederate photographer, we see the Boys in Gray just before Bull Run had taught them the meaning of a battle and elated them with the conviction of their own prowess. The young and confident troops on both sides approached this first severe lesson of the war in the same jocular spirit. There placed for safekeeping in Castle Pinckney, then garrisoned by the Charleston Zouave Cadets. To break the monotony of guard duty Captain Chichester, some time in August, engaged a photographer to take some pictures about the Fort showing his men. Gray uniforms with red stripes, red fatigue caps, and white cross belts were a novelty. The casemates of the Fort had been fitted up with bunks and doors as sleeping quarters for the prisoners. Casemate No. 1 was occupied by prisoners from the 11th N