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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 4 0 Browse Search
Jula Ward Howe, Reminiscences: 1819-1899 4 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 2 0 Browse Search
The Daily Dispatch: December 2, 1861., [Electronic resource] 1 1 Browse Search
The Daily Dispatch: May 22, 1863., [Electronic resource] 1 1 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for Matilda Heron or search for Matilda Heron in all documents.

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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Book III (continued) (search)
called original attempts, this generation can recall only Divorce (Fifth Avenue Theatre, 5 September, 1871), Horizon (Olympic Theatre, 25 March, 1871), and Pique (Fifth Avenue Theatre, 14 December, 1875); among his adaptations, Leah the forsaken (Niblo's Garden, 19 January, 1863), Frou-Frou (Fifth Avenue Theatre, 12 February, 1870), and Article 47 (Fifth Avenue Theatre, 2 April, 1872). But in these, as in most of his attempts, he does not deserve any more claim to native originality than Matilda Heron does for her version of Camille (Wallack's Broome St. Theatre, 22 January, 1857), or A. M. Palmer for his productions of D'Ennery and Cormon's A celebrated case, adapted by A. R. Cazauran (Boston Museum, 28 January, 1878), and D'Ennery's The two orphans, adapted by Hart Jackson (Union Square Theatre, 21 December, 1874). What he did so successfully, and what Clyde Fitch did so well in later years, was to create roles for the special qualities in his players: he wrote Frou-Frou for Agnes E
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Index (search)
344 Hemphill, 327 Henckell, Karl, 582 Hennepin, 180 Henoch Jedesias, 595 Henrietta, the, 274, 286 Henry, Joseph, 233 Henry St. John, gentleman, 67 Hephzibah Guinness, 90 Herald (N. Y.), 168, 320, 321, 322 Herald of the New-found World, the, 437 Herbart, 240 Her great Match, 283 Her husband's wife, 294 Hermann, J. G. J., 460, 461, 462 Hermann, K. F., 462 Herndon, William L., 136 Herne, James A., 266, 278, 279, 280, 285 Heroines of fiction, 83 Heron, Matilda, 271 Herrick, 38 Heyse, 462 Hiawatha, 604 Hichborn, 365 Hickman, Bill, 143, 151 Hickok, 228, 229, 229 n. Hicks, 39 H. H. See Jackson, Helen Hunt High Chin Bob, 161 Higher criticism of the Pentateuch, the, 207 High plateaus of Utah, the, 159 Higginson, T. W., 32, 33, 109, 113, 116 119-20, 344, 472 Hildeburn, 535 Hildreth, Richard, 71, 178, 438 Hilgard, E. W., 585 Hill, A. S., 312 Hilquit, Morris, 600 Hilt to Hilt, 67 Hirth, F., 585 Hi