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Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 32 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 31 1 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 1 22 2 Browse Search
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters 18 0 Browse Search
George Bancroft, History of the United States from the Discovery of the American Continent, Vol. 2, 17th edition. 18 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 17 1 Browse Search
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 2 16 0 Browse Search
Emilio, Luis F., History of the Fifty-Fourth Regiment of Massachusetts Volunteer Infantry , 1863-1865 14 2 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 14 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 12 0 Browse Search
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Browsing named entities in Bliss Perry, The American spirit in lierature: a chronicle of great interpreters. You can also browse the collection for Milton or search for Milton in all documents.

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er declared in a sermon before the General Court that the choice of public magistrates belongs unto the people by God's own allowance, and that they who have the power to appoint officers and magistrates, it is in their power, also, to set the bounds and limitations of the power and place into which they call them. The reason of this is: Because the foundation of authority is laid, firstly, in the free consent of the people. This high discourse antedates the famous pamphlets on liberty by Milton. It is a half-century earlier than Locke's Treatise on government, a century and a quarter earlier than Rousseau's Contrat social, and it precedes by one hundred and thirty-eight years the American Declaration of Independence. But the slightest acquaintance with colonial writings will reveal the fact that such political radicalism as Thomas Hooker's was accompanied by an equally striking conservatism in other directions. One of these conservative traits was the pioneer's respect for pro
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 2: the first colonial literature (search)
ne justice to this scene. Cotton was at heart too liberal for his r61e of Primate, and fate led him to persecute a man whose very name has become a symbol of victorious tolerance, Roger Williams. Williams, known today as a friend of Cromwell, Milton, and Sir Harry Vane, had been exiled from Massachusetts for maintaining that the civil power had no jurisdiction over conscience. This doctrine was fatal to the existence of a theocratic state dominated by the church. John Cotton was perfectlyry week in rapt absorption with the noblest of all poetry and prose in the pages of their chief book, the Bible, were at least as sensitive to the beauty of words and the sweep of emotions as our contemporaries upon whose book-shelves Spenser and Milton stand unread. It is only by entering into the psychology of the period that we can estimate its attitude towards the poetry written by the pioneers themselves. The Bay Psalm book (1640), the first book printed in the colonies, is a wretched d
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 3: the third and fourth generation (search)
anklin, is full of imitations of the Tatler, Spectator, and Guardian. What is more, the Courant boasted of its office collection of books, including Shakespeare, Milton, the Spectator, and Swift's Tale of a Tub, Cook, E. C. Literary Infuencee in colonial newspapers, 17041760. N. Y., 1912. This was in 1722. If we remember that no allusion to Shakespeare has been discovered in the colonial literature of the seventeenth century, and scarcely an allusion to the Puritan poet Milton, and that the Harvard College Library in 1723 had nothing of Addison, Steele, Bolingbroke, Dryden, Pope, and Swift, and had only recently obtained copies of Milton and ShakespeaMilton and Shakespeare, we can appreciate the value of James Franklin's apprenticeship in London. Perhaps we can even forgive him for that attack upon the Mathers which threw the conduct of the Courant, for a brief period, into the hands of his brother Benjamin, whose turn at a London apprenticeship was soon to come. If we follow this younger bro
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 6: the Transcendentalists (search)
ere is a Moral Law, independent of our will, which we ought to keep. 3. The Instinctive Intuition of the Immortal, a consciousness that the Essential Element of man, the principle of Individuality, never dies. This passage dates from 1859, and readers of Bergson may like to compare it with the contemporary Frenchman's saying: The analytical faculties can give us no realities. Let us next hear Emerson himself, first in an early letter to his brother Edward: Do you draw the distinction of Milton, Coleridge, and the Germans between Reason and Understanding? I think it a philosophy itself, and, like all truth, very practical. Reason is the highest faculty of the soul, what we mean often by the soul itself: it never reasons, never proves, it simply perceives, it is vision. The understanding toils all the time, compares, contrives, adds, argues; near-sighted, but strongsighted, dwelling in the present, the expedient, the customary. And in 1833, after he had left the Unitarian pulpit
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 7: romance, poetry, and history (search)
a dramatist, and his trilogy now published under the title of Christus, made up of The divine tragedy, the golden legend, and New England tragedies, added little to a reputation won in other fields. His sonnets, particularly those upon Chaucer, Milton, the Divina Commedia, a Nameless grave, Felton, Sumner, nature, My books, are among the imperishable treasures of the English language. In descriptive pieces like Keramos and The Hanging of the Crane, in such personal and occasional verses as Thhrewdest practical judgment of weapons and tactics. He forgot himself. He turned aside from those pleasant fields of New England legend and history to which he was destined to return after his warfare was accomplished. He had read the prose of Milton and of Burke. He perceived that negro emancipation in the United States was only a single and immediate phase of a universal movement of liberalism. The thought kindled his imagination. He wrote, at white heat, political and social verse that