hide Matching Documents

The documents where this entity occurs most often are shown below. Click on a document to open it.

Document Max. Freq Min. Freq
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 6 0 Browse Search
View all matching documents...

Browsing named entities in Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for Franz Moor or search for Franz Moor in all documents.

Your search returned 3 results in 1 document section:

Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Book III (continued) (search)
cement from the manager of the Stadttheater, Otto Hoym, who for ten years was the leader in German theatrical ventures. Dawison's great roles were Wallenstein, Franz Moor, Othello, Shylock, and Hamlet, and the reputation that he established was not clouded by the successes of many subsequent visiting stars. After Hoym's retireme, Leon Wachsner, and Mathilde Cottrelly, all three destined to become prominent also as managers. Conried had a period of very great popularity in the roles of Franz Moor, Mortimer, Just, Gringoire, and Dr. Klaus. In 1879-1880 the Thalia Theater was opened as a rival to the Germania, and for a number of years both theatres playest of Barnay and Possart, when Barnay appeared in the roles of Hamlet, Uriel Acosta, Karl Moor, Wallenstein, Tell, and Bolz, with Possart as Polonius, De Sylva, Franz Moor, Buttler, Gessler, and Schmock. A step forward was made in the history of the German stage in New York when Heinrich Conried in 1893, on the invitation of He