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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 20 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 17 1 Browse Search
Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 14 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 14 0 Browse Search
Frank Preston Stearns, Cambridge Sketches 12 0 Browse Search
Thomas Wentworth Higginson, Book and heart: essays on literature and life 12 0 Browse Search
Thomas Wentworth Higginson, Harvard Memorial Biographies 10 0 Browse Search
Thomas Wentworth Higginson, Carlyle's laugh and other surprises 8 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 3 8 0 Browse Search
Thomas Wentworth Higginson, Olde Cambridge 7 1 Browse Search
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Browsing named entities in Bliss Perry, The American spirit in lierature: a chronicle of great interpreters. You can also browse the collection for Tennyson or search for Tennyson in all documents.

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Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 7: romance, poetry, and history (search)
llow the Poet. His outward life, like Hawthorne's, was barren of dramatic incident, save the one tragic accident by which his second wife, the mother of his children, perished before his eyes in 1861. He bore the calamity with the quiet courage of his race and breeding. But otherwise his days ran softly and gently, enriched with books and friendships, sheltered from the storms of circumstance. He had leisure to grow ripe, to remember, and to dream. But he never secluded himself, like Tennyson, from normal contacts with his fellowmen. The owner of the Craigie House was a good neighbor, approachable and deferential. He was even interested in local Cambridge politics. On the larger political issues of his day his Americanism was sound and loyal. It is disheartening, he wrote in his Cambridge journal for 1851, to see how little sympathy there is in the hearts of the young men here for freedom and great ideas. But his own sympathy never wavered. His linguistic talent helped hi
f these pages it may seem like profanation to pass over poets like Sill, George Woodberry, Edith Thomas, Richard Hovey, William Vaughn Moody, Madison Cawein — to mention but half a dozen distinguished names out of a larger company — and to suggest that James Whitcomb Riley, more completely than any American poet since Longfellow, succeeded in expressing the actual poetic feelings of the men and women who composed his immense audience. Riley, like Aldrich, went to school to Herrick, Keats, Tennyson, and Longfellow, but when he began writing newspaper verse in his native Indiana he was guided by two impulses which gave individuality to his work. I was always trying to write of the kind of people I knew, and especially to write verse that I could read just as if it were spoken for the first time. The first impulse kept him close to the wholesome Hoosier soil. The second is an anticipation of Robert Frost's theory of speech tones as the basis of verse, as well as a revival of the bard