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James Russell Lowell, Among my books 32 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 26 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 1 22 0 Browse Search
Thomas Wentworth Higginson, John Greenleaf Whittier 18 0 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 17 5 Browse Search
Lucius R. Paige, History of Cambridge, Massachusetts, 1630-1877, with a genealogical register 16 0 Browse Search
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 1 8 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 8 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 8 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 8 0 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for Milton, Mass. (Massachusetts, United States) or search for Milton, Mass. (Massachusetts, United States) in all documents.

Your search returned 4 results in 3 document sections:

Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Preface (search)
What was demanded early in the nineteenth century of the adolescent nation was an indigenous independent national literature. The wrong answer to this demand was given by the enthusiastic patriots who, after the Revolution, advocated the abrogation of English in these States and the invention and adoption of a new language; or compiled, to silence their skeptical English cousins, pretentious anthologies of all our village elegists; or offered Dwight's Conquest of Canaan as an equivalent to Milton's Paradise lost, Barlow's Columbiad as an imposing national epic, Lathrop's poem on the sachem of the Narragansett Indians, The speech of Caunonicus, as heralding the dawn of a genuinely native school of poetry. Our pioneer historian Knapp discreetly hesitates to say whether she of the banks of the Connecticut [Mrs. Sigourney], whose strains of poetic thought are as pure and lovely as the adjacent wave touched by the sanctity of a Sabbath's morn, be equal to her tuneful sisters, Hemans and
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 9: the beginnings of verse, 1610-1808 (search)
pieces paraphrases from the Bible, translations from Horace, and half a dozen elegies, including one on Cotton Mather and one on Jane Turell. All these are written in the heroic couplet but in a diction more natural than Pope's. That Adams knew Milton's poems is apparent in his Address to the Supreme being. Indeed these poems, though pervaded by the Puritan spirit, yet reveal a more purely aesthetic purpose and a more careful style than can generally be found before the later years of the cenhes as For ages blest thus Britain rose The terror of encircling foes; Her heroes ruled the bloody plain; Her conq'ring standard aw'd the main, as also for the use of personifications and of the terrible: Around all stained with rebel blood, Like Milton's lazar house it stood, Where grim Despair attended nurse, And Death was gov'rnor of the house. For all its indebtednesses McFingal remains the most entertaining satire in our early literature, and the only surviving poem by any member of the
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 5: Bryant and the minor poets (search)
is tautology to say that a poet treats a sublime idea sublimely — for it is the sublimity in the treatment that makes us realize the sublimity of the idea. We can at most conceive a poet's style as a whole; as, along with his individual world of meditation and vision, another phase of his creative power — as his creation of music. Possibly it is the deepest and most wonderful of the poet's creations, transcending its manifestation in connection with any single poem. Perhaps, for instance, Milton's greatest creative act was not Lycidas, or the Sonnets, or Paradise lost, but that music we call Miltonic. Certainly this is the more true the more organic the style is; and, as said before, Bryant's style was highly organic. An astute and sympathetic mind who might never have seen a verse of Bryant's could deduce that style from what has been said in this chapter — if what has been said has been correctly said. Such a mind would not need to be told that Bryant's diction was severe, si<