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The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 9: Poetry and Eloquence. (ed. Francis Trevelyan Miller) 4 0 Browse Search
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Browsing named entities in The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 9: Poetry and Eloquence. (ed. Francis Trevelyan Miller). You can also browse the collection for Francis Orray Ticknor or search for Francis Orray Ticknor in all documents.

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uch poems should live into these piping times of peace to keep fresh the remembrance of American heroism on whatever field displayed. When preserved in the amber of fit poetic form, these achievements shine with no trace of sectional pride. The charge of Kearny at the battle of Fair Oaks, or Seven Pines, as sung in Stedman's ringing verse, is familiar to many who have never read a military account of the battle, and cannot tell whether it occurred in the first or the last year of the war. Ticknor's ballad on the touching devotion of Little Giffen of Tennessee will likewise go straight to the hearts of thousands who may never learn whether Johnston was a Northern or a Southern leader. Such instances demonstrate the capacity of the American citizen for heroism, and the poetic record of his daring should be enshrined in memory as the heritage of a reunited people. Those greater incidents known as battles have been made the subject of numerous poetic efforts. Virtually every import
s. I immediately re-formed the regiment to support the reserve artillery. We afterward moved back, and formed across the roads, to stop stragglers of the Eleventh Corps. Here we remained all night.’ But in the words of the poet, ‘The rush of their charge is resounding still.’ They have ceased. But their glory shall never cease, Nor their light be quenched in the light of peace. The rush of their charge is resounding still That saved the army at Chancellorsville. Little Giffen Francis Orray Ticknor. The poem is true in every detail. The facts, often misstated, are set forth in a letter which the poet's granddaughter, Miss Michelle Cutliffe Ticknor, courteously furnished for these pages. During the war, the wife of the poet daily visited the improvised hospitals of Columbus, Georgia. in one of these, the old bank's building, Mrs. Ticknor first saw the boy, Isaac Newton Giffen, and was so haunted by his pitiful condition that when the doctors declared his case hopeless, sh<