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The writings of John Greenleaf Whittier, Volume 1. (ed. John Greenleaf Whittier) 16 0 Browse Search
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Browsing named entities in The writings of John Greenleaf Whittier, Volume 1. (ed. John Greenleaf Whittier). You can also browse the collection for Egbert Hemskerck or search for Egbert Hemskerck in all documents.

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The writings of John Greenleaf Whittier, Volume 1. (ed. John Greenleaf Whittier), Narrative and legendary poems (search)
olished Penn and Cromwell's Ironside. As still in Hemskerck's Quaker Meeting, ‘The Quaker's Meeting,’ a painting by E. Hemskerck (supposed to be Egbert Hemskerck the younger, son of Egbert Hemskerck the old), in which William Penn and others—amongEgbert Hemskerck the younger, son of Egbert Hemskerck the old), in which William Penn and others—among them Charles II., or the Duke of York—are represented along with the rudest and most stolid class of the British rural population at that period. Hemskerck came to London from Holland with King William in 1689. He delighted in wild, grotesque subjEgbert Hemskerck the old), in which William Penn and others—among them Charles II., or the Duke of York—are represented along with the rudest and most stolid class of the British rural population at that period. Hemskerck came to London from Holland with King William in 1689. He delighted in wild, grotesque subjects, such as the nocturnal intercourse of witches and the temptation of St. Anthony. Whatever was strange and uncommon attracted his free pencil. Judging from the portrait of Penn, he must have drawn his faces, figures, and costumes from life, altHemskerck came to London from Holland with King William in 1689. He delighted in wild, grotesque subjects, such as the nocturnal intercourse of witches and the temptation of St. Anthony. Whatever was strange and uncommon attracted his free pencil. Judging from the portrait of Penn, he must have drawn his faces, figures, and costumes from life, although there may be something of caricature in the convulsed attitudes of two or three of the figures. face By face in Flemish detail, we may trace How loose-mouthed boor and fine ancestral grace Sat in close contrast,—the clipt-headed chur
The writings of John Greenleaf Whittier, Volume 1. (ed. John Greenleaf Whittier), Notes. (search)
, and that they had included him in their broad eclecticism. Note 16, page 333. The Quaker's Meeting, a painting by E. Hemskerck (supposed to be Egbert Hemskerck the younger, son of Egbert Hemskerck the old), in which William Penn and others—amongEgbert Hemskerck the younger, son of Egbert Hemskerck the old), in which William Penn and others—among them Charles II., or the Duke of York—are represented along with the rudest and most stolid class of the British rural population at that period. Hemskerck came to London from Holland with King William in 1689. He delighted in wild, grotesque subjEgbert Hemskerck the old), in which William Penn and others—among them Charles II., or the Duke of York—are represented along with the rudest and most stolid class of the British rural population at that period. Hemskerck came to London from Holland with King William in 1689. He delighted in wild, grotesque subjects, such as the nocturnal intercourse of witches and the temptation of St. Anthony. Whatever was strange and uncommon attracted his free pencil. Judging from the portrait of Penn, he must have drawn his faces, figures, and costumes from life, altHemskerck came to London from Holland with King William in 1689. He delighted in wild, grotesque subjects, such as the nocturnal intercourse of witches and the temptation of St. Anthony. Whatever was strange and uncommon attracted his free pencil. Judging from the portrait of Penn, he must have drawn his faces, figures, and costumes from life, although there may be something of caricature in the convulsed attitudes of two or three of the figures. Note 17, page 337. In one of his letters addressed to German friends, Pastorius says: These wild men, who never in their life heard Christ's