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Joshua Lawrence Chamberlain, The Passing of the Armies: The Last Campaign of the Armies. 181 1 Browse Search
Horace Greeley, The American Conflict: A History of the Great Rebellion in the United States of America, 1860-65: its Causes, Incidents, and Results: Intended to exhibit especially its moral and political phases with the drift and progress of American opinion respecting human slavery from 1776 to the close of the War for the Union. Volume II. 71 3 Browse Search
Philip Henry Sheridan, Personal Memoirs of P. H. Sheridan, General, United States Army . 44 4 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 3 40 0 Browse Search
Edward Porter Alexander, Military memoirs of a Confederate: a critical narrative 36 0 Browse Search
Southern Historical Society Papers, Volume 11. (ed. Reverend J. William Jones) 32 0 Browse Search
Comte de Paris, History of the Civil War in America. Vol. 2. (ed. Henry Coppee , LL.D.) 28 0 Browse Search
Maj. Jed. Hotchkiss, Confederate Military History, a library of Confederate States Military History: Volume 3, Virginia (ed. Clement Anselm Evans) 20 0 Browse Search
D. H. Hill, Jr., Confederate Military History, a library of Confederate States Military History: Volume 4, North Carolina (ed. Clement Anselm Evans) 14 0 Browse Search
General Horace Porter, Campaigning with Grant 10 0 Browse Search
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Browsing named entities in The Daily Dispatch: October 16, 1861., [Electronic resource]. You can also browse the collection for Crawford or search for Crawford in all documents.

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The Daily Dispatch: October 16, 1861., [Electronic resource], Historical Society (search)
rship. Mr. Bradish then announced that a collection of statuary just from Rome, the last works of the late sculptor Crawford, which have been deposited with the Society by his widow, through the agency of Mr. John Ward, was on exhibition in the meeting of artists had been held in Rome, at which Mr. Gibson, a leading English artist, proposed that the last work of Crawford, the Indian, should be cast in bronze and erected in one of the leading squares of Rome. The idea was warmly seconded, resolutions were passed highly complimentary to Crawford, and subscriptions begun. This testimonial of artists to an artist was, he said, more than empty compliment. In the speaker's opinion, Crawford's Indian surpassed in bold originality all otheCrawford's Indian surpassed in bold originality all other works of the kind. Unfortunately, the committee of artists could not find a place to be given them by the present dynasty that would in any manner be suitable to the work. The statues on exhibition are the Indian lamenting the downfall of his