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d in 1828 (K. S., 1. 110), and Sappho unmd Phaon, published in 1863, a review of Mure and Theodor Kock (K. S., V. 228). from which all modern estimates of Sappho date since Welcker who has seriously attempted to impugn his conclusions, except Colonel Mure, an Edinburgh advocate, whose onslaught upon Sappho is so vehement that Feltconstitutional hostility between Scotch Presbyterians and handsome women. But Mure's scholarship is not high, when tried by the German standard, whatever it may beescribes. What, then, was this Lesbian school that assembled around Sappho? Mure pronounces it to have been a school of vice. The German professors see in it a n leap, entirely omits the conspicuous name of Sappho from his record. Even Colonel Mure, who is as anxious to prove this deed against her as if it were a violation ay such a part in moulding the great literature that has moulded the world. Colonel Mure thinks that a hundred such women might have demoralized all Greece. But it
chaos of short fragments, which have been assiduously collected and edited by Wolf, Blomfield, Neue, and others. Among the spirited translations by our own poet Percival, there are several of these fragments; one of which I quote for its exceeding grace, though it consists of only two lines : Sweet mother, I can weave the we love. But this last adjective, so effective to the ear, is, after all, an interpolation. It should be:-- So much I love the youth, by Aphrodite's charm. Percival also translates one striking fragment whose few short lines seem to toll like a bell, mourning the dreariness of a forgotten tryst, on which the moon and stars l. I should render it thus:-- The moon is down; And I've watched the dying Of the Pleiades; 'T is the middle night, The hour glides by, And alone I'm sighing. Percival puts it in blank verse, more smoothly:-- The moon is set; the Pleiades are gone; 'T is the mid-noon of-night; the hour is by, And yet I watch alone. There
o me often to rival Epictetus and Plutarch in eloquence and nobleness of tone. In his eighth dissertation he draws a parallel between the instruction given by Socrates to men and that afforded by Sappho to women. Each, he says, appears to me to deal with the same kind of love, the one as subsisting among males, the other among females. What Alcibiades and Charmides and Phaedrus are with Socrates, that Gyrinna and Atthis and Anactoria are with the Lesbian. And what those rivals Prodicus, Gorgias, Thrasymachus, and Protagoras are to Socrates, that Gorgo and Andromeda are to Sappho. At one time she reproves, at another she confutes these, and addresses them in the same ironical language with Socrates. Then he draws parallels between the writings of the two. Diotima says to Socrates that love flourishes in abundance, but dies in want. Sappho conveys the same meaning when she calls love sweetly bitter and a painful gift. Socrates calls love a sophist, Sappho a ringlet of words. S
the city of Mitylene that she lived and taught and sung. But to find her birthplace you must traverse nearly the length of the island, till you come to Ereso or Eresus, a yet smaller village, and Greek instead of Turkish. To reach it you must penetrate aromatic pine forests, where the deer lurk, and must ascend mountain paths lor two thousand years. The old Greek poet Archestratus, who wrote a work on the art of cookery, said that if the gods were to eat bread, they would send Hermes to Eresus to buy it; and the only modern-traveller, so far as I know, who has visited the village, reports the same excellent receipt to be still in vogue. Travels and have spoiled it; or he may have breakfasted in the garden, with her and her maidens, and may have spilled some honey from Hymettus on a crimson-bordered veil from Eresus. But it is recorded by Aristotle that the violet-crowned thus answered: If thy wishes were fair and noble, and thy tongue designed not to utter what is base, sha
rary memorials of this maiden had vanished, and posterity had possessed no record of her except Voltaire's Pucelle. In place of that heroic image there would have remained to us only a monster of profligacy, unless some possible Welcker had appeared, long centuries after, to right the wrong. The remarkable essay of Welcker, Sappho von einem herrschenden Vorurtheil befreit, Welcker, Kleine Schriften, II. 80. See also his Sappho, a review of Neue's edition of her works, first published in 1828 (K. S., 1. 110), and Sappho unmd Phaon, published in 1863, a review of Mure and Theodor Kock (K. S., V. 228). from which all modern estimates of Sappho date, was first published in 1816, under the title, Sappho vindicated from a prevailing prejudice. It was a remarkable instance of the power of a single exhaustive investigation to change the verdict of scholars. Bishop Thirlwall, for instance, says of it: The tenderness of Sappho, whose character has been rescued, by one of the happiest ef
had possessed no record of her except Voltaire's Pucelle. In place of that heroic image there would have remained to us only a monster of profligacy, unless some possible Welcker had appeared, long centuries after, to right the wrong. The remarkable essay of Welcker, Sappho von einem herrschenden Vorurtheil befreit, Welcker, Kleine Schriften, II. 80. See also his Sappho, a review of Neue's edition of her works, first published in 1828 (K. S., 1. 110), and Sappho unmd Phaon, published in 1863, a review of Mure and Theodor Kock (K. S., V. 228). from which all modern estimates of Sappho date, was first published in 1816, under the title, Sappho vindicated from a prevailing prejudice. It was a remarkable instance of the power of a single exhaustive investigation to change the verdict of scholars. Bishop Thirlwall, for instance, says of it: The tenderness of Sappho, whose character has been rescued, by one of the happiest efforts of modern criticism, from the unmerited reproach und
s a compensation, they make for their husbands such admirable bread, that it has preserved its reputation for two thousand years. The old Greek poet Archestratus, who wrote a work on the art of cookery, said that if the gods were to eat bread, they would send Hermes to Eresus to buy it; and the only modern-traveller, so far as I know, who has visited the village, reports the same excellent receipt to be still in vogue. Travels and Discoveries in the Levant, by C. T. Newton, 1.99. London, 1865. It was among these well-trained women that the most eminent poetess of the world was born. Let us now turn and look upon her in her later abode of Mitylene; either in some garden of orange and myrtle, such as once skirted the city, or in that marble house which she called the dwelling of the Muses. *mousopo/lwZZZ oi)ki/an.> Let us call around her, in fancy, the maidens who have come from different parts of Greece to learn of her. Anactoria is here from Miletus, Eunica from Salamis, Gon
onster of profligacy, unless some possible Welcker had appeared, long centuries after, to right the wrong. The remarkable essay of Welcker, Sappho von einem herrschenden Vorurtheil befreit, Welcker, Kleine Schriften, II. 80. See also his Sappho, a review of Neue's edition of her works, first published in 1828 (K. S., 1. 110), and Sappho unmd Phaon, published in 1863, a review of Mure and Theodor Kock (K. S., V. 228). from which all modern estimates of Sappho date, was first published in 1816, under the title, Sappho vindicated from a prevailing prejudice. It was a remarkable instance of the power of a single exhaustive investigation to change the verdict of scholars. Bishop Thirlwall, for instance, says of it: The tenderness of Sappho, whose character has been rescued, by one of the happiest efforts of modern criticism, from the unmerited reproach under which it had labored for so many centuries, appears to have been no less pure than glowing. And Felton, who is usually not mo
qeoglw/ssous. Brunck, 2.114. Of these Sappho was the admitted chief. Among the Greeks the poet meant Homer, and the poetess equally designated her. There flourished in those days, said Strabo, writing a little before our era, Sappho, a wondrous creature; for we know not any woman to have appeared, within recorded time, who was in the least to be compared with her in respect to poesy. The dates of her birth and death are alike uncertain, but she lived somewhere between the years 628 and 572 B. C.: thus flourishing three or four centuries after Homer, and less than two centuries before Pericles. Her father's name is variously given, and we can only hope, in charity, that it was not Scamandronimus. We have no better authority than that of Ovid for saying that he died when his daughter was six years old. Her mother's name was Cleis, and Sappho had a daughter of the same name. The husband of the poetess was probably named Cercolas, and there is a faint suspicion that he was a man of
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