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Southern Historical Society Papers, Volume 19. (ed. Reverend J. William Jones) 2 0 Browse Search
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 9: Poetry and Eloquence. (ed. Francis Trevelyan Miller) 2 0 Browse Search
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Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 5: Bryant and the minor poets (search)
rtford Wits. Longfellow and Whittier were in the cradle, Holmes and Poe unborn. Except Freneau, there were no poets in the country but thoetry: the generations of Paulding, Percival, Halleck, Drake, Willis, Poe, Longfellow, Whittier, Emerson, Lowell, Whitman, Bret Harte. Yet with an individual, a literary style, consciously elaborated, as in Poe and Whitman. It is partly for this, perhaps, that the most Puritan haracterizations are of a piece with the American short story before Poe and Hawthorne), tells, in simple chronological order, of one simple of very mood and meaning? In quite different ways, Bryant is, with Poe, America's finest artist in verse. Perhaps this is, with Bryant's gof manhood, a reason why Bryant was the one native contemporary that Poe thoroughly respected. What to puzzled readers seems characteristirits), noble speech. These, with his brief prose obituary notice of Poe and its tribute to Mrs. Clemm, are higher things than conventional c
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 7: fiction II--contemporaries of Cooper. (search)
her orators and scholars rather than by her writers of fiction, but Nathaniel Beverley Tucker (1784-1851) was both scholar and novelist. His George Balcombe (1836) Poe thought the best novel by an American; his Partisan leader (1836), primarily famous because it prophesied disunion, is clearly a notable though little known work. ablish its claims to a literature, the vogue of historical romance had passed, and Simms, not yet having found the public he deserved, never has found it. Unlike Poe, he had not the art or patience to make himself independent of general approval. Born in Charleston, 17 April, 1806, son of a merchant of Irish birth who lost bothes but briefer tales multiplied. The period which could boast in Cooper but one novelist of first rank could show three such tale-tellers as Irving, Hawthorne, and Poe. The annuals and magazines met the demand for such amusement and fostered it, See Book II, Chap. XX. but the novel was encouraged more than it was hurt by the n
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Index. (search)
ple Tree, the, 271 Plato, 193, 352, 360 Players of a century, 231 n. Pleasures of the imagination, 165 Plotinus, 266, 360 Plutarch, 93 Pocahontas, 17 Pocahontas, 225 Pocahontas or the settlers of Virginia, 221, 225 Poe, Edgar Allan, 181, 261, 266, 273, 275, 280, 313, 324 Poems (Bryant), 260 n., 269 n., 270 n., 271 n. Poems (Halleck), 283 Poems of Arouet, 178 Poems, dramatic and miscellaneous (Mercy Warren), 179 Poem on the happiness of America, 169 Poe227 n., 231, 279, 292 Woolman, John, 86-89, 212 Wollstonecraft, Mary, 288, 331 Woman in the nineteenth century, 343 Word of Congress, 174 Wordsworth, 183, 188, 194, 197, 212, 213,240, 262, 263, 264, 267, 268, 279, 332, 337 Works (Poe), 230 n. Works in prose and verse (Paine, R. T.), 179 Works of John Adams, 125 n., 129 n., 147 n. Works of Laurence Sterne M. A., the, 284 Wrangham, Archdeacon, 213 Wright, Fanny, 190 Writings of Benjamin Franklin, the, 94 n., 97 n
Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall), Standard and popular Library books, selected from the catalogue of Houghton, Mifflin and Co. (search)
es, $3.50. Boston Town. Illustrated. 12mo, $1.50. J. C. Shairp. Culture and Religion. x6mo, $.125. Poetic Interpretation of Nature. 16mo, $1.25. Studies in Poetry and Philosophy. 16mo, $1.50. Aspects of Poetry. 16mo, $1.50. Dr. William Smith. Bible Dictionary. American Edition. In four vols. 8vo the set, $20.00. E. C. Stedman. Poems. Farringford Edition. Portrait. 16mo, $2.00. Victorian Poets. 12mo, $2.00. Hawthorne, and other Poems. 16mo, $1.25. Edgar Allan Poe. An Essay. Vellum, 18mo, $1.00. Harriet Beecher Stowe. Agnes of Sorrento. 12mo, $1.50. The Pearl of Orr's Island. 12mo, $1.50. Uncle Tom's Cabin. Popular Edition. 12mo, $2.00. The Minister's Wooing. 12mo, $1.50. The May-flower, and other Sketches. 12mo, $1.50. Nina Gordon. 12mo, $1.50. Oldtown Folks. 12mo, $1.50. Sam Lawson's Fireside Stories. Illustrated. $1.50. Uncle Tom's Cabin. 100 Illustrations. 12mo, full gilt, $3.50. Bayard Taylor. Poetical
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature, Chapter 4: the New York period (search)
out paths for himself; thus Sir Walter Scott, for instance, in his paper on Supernatural and fictitious composition, praised Irving's sketch of The bold Dragoon as the only instance of the fantastic then to be found in the English language. Irving did not create the legends of the Hudson, for as Mrs. Josiah Quincy tells us, writing when Irving was a little boy, the captains on the Hudson had even then a tradition for every hillside; but he immortalized them. Longfellow, Hawthorne, and even Poe, in their short stories, often showed glimpses of his influence, and we see in the Dingley Dell scenes in The Pickwick papers how much Dickens owed to them. The style is a little too deliberate and measured for these days, but perhaps it never wholly loses its charm. The fact that its character varies little whether his theme be derived from America, or England, or Spain, shows how genuine it is. To this day the American finds himself at home in the Alhambra, from his early reading of this
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature, Chapter 5: the New England period — Preliminary (search)
writing, that very little work of that kind can, from the nature of things, be immortal. Just as the most solid building of marble or granite crumbles, while the invisible and wandering air around it remains unchanged for ages, so a narrative of great events is likely to last only until it is superseded by other narrative, while the creations of pure imagination, simply because they are built of air, can never be superseded. The intuitions of Emerson, the dream-children of Hawthorne and of Poe, remain untouched. Systems of philosophy may change and supersede one another, while that which is above all system has a life of its own. The most valuable part of historic work, as such, moreover, consists not in the style, but in the substance. It is the result of research. The books that sell and are quoted are those of the popularizer, those, for instance, of the late John Fiske, which no historical student would for a moment think of placing beside those of the late Mr. Justin Winso
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature, Chapter 6: the Cambridge group (search)
ly and formative period of American letters. Literature in a new country naturally tends to the florid, as had been shown by the novels of Charles Brockden Brown, or even by so severe a work as Bancroft's History of the United States. In poetry, Poe was to give only too wide a prestige to the same tendency. In subsequent years Longfellow published many volumes of verse, in which his experiments with English hexameter are now, perhaps, most famous. There is no doubt that the reading public ahors, too, it was a time of defiant and vehement mutual criticism; it was thought a fine thing to impale somebody, to make somebody writhe, to get even with somebody, and it was hard for the younger men to keep clear of the flattering temptation. Poe in New York proceeded cheerfully with these tactics, and Lowell in Cambridge was only too ready to follow his example. In Lowell's Fable for critics you find the beginning of all this: in his prose you will find an essay on Percival which is esse
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature, Chapter 7: the Concord group (search)
nd Willis began to write together in the Token, in 1827, and that the now forgotten Willis rose rapidly to fame, while Hawthorne's writings did not attract the slightest attention. For twenty years he continued to be, according to his own statement, the obscurest mal of letters in America. Goodrich testifies that it was almost impossible to find a publisher for Twice-told tales in 1837, and I can myself remember how limited a circle greeted the reprint in the enlarged edition of 1841. When Poe, about 1846, wrote patronizingly of Hawthorne, he added, It was never the fashion, until lately, to speak of him in any summary of our best authors. Whittier once told me that when he himself had obtained, with some difficulty, in 1847, the insertion of one of Hawthorne's sketches in the National era, the latter said quietly, There is not much market for my wares. It has always seemed to me the greatest triumph of his genius, not that he bore poverty without a murmur,--for what right has a
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature, Chapter 8: the Southern influence---Whitman (search)
privations of the South after the war. Edgar Allan Poe. Of the two men whose names are most ppute, which has never yet been adjusted. Edgar Allan Poe was born in Boston Jan. 19, 1809, the chiue, both for the poet and for the man. Edgar Allan Poe was, in fact, so far as his art was conceisome narrative of Arthur Gordon Pymr. Neither Poe nor Hawthorne has been fully recognized in Englso that all his work is solid as masonry, while Poe's is broken and disfigured by all sorts of ineqmar it, this is the lesson of the two lives. Poe makes one of his heroes define another as the mreater his talent, the greater the mischief. Poe's criticisms sprang from prejudice and the narr above all, in Coleridge, which seem to suggest Poe's habitual mood and tone. With what in Englishiracle we call genius. Among American authors, Poe probably stood next to Hawthorne in the vividne very distinct impression on the audience until Poe began to read the maiden's song in the second p[13 more...]
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature, A Glossary of Important Contributors to American Literature (search)
gy and geology of Connecticut, the results of which are given in his Report of the geology of the state of Connecticut (1842). His poems Prometheus and Clio were published in 1822. He edited Vicesimus Knox's Elegant extracts (1826) ; translated with notes Malte Brun's Geography (3 vols., 1834); assisted Noah Webster in the preparation of his Dictionary of the English language, and wrote several tragedies collected in his Poetical works (1859). Died at Hazel Green, Wis., May 2, 1856. Poe, Edgar Allan Born in Boston, Mass., Jan. 19, 1809. He was partly educated in England and studied at the University of Virginia, and worked for a short time in a counting-room ; then enlisted in the U. S. Army and secured an appointment at West Point, but turned his attention to literature. He was editor of the Southern literary Messenger at Richmond, afterward of Burton's Gentleman's magazine, and of Graham's magazine. He published Tamerlane, and other poems (1827); Al Aaraaf, Tamerlane, and m
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