broken “music,” AS YOU LIKE IT, i.
2. 125; HENRY V., v. 2.
241; TROILUS AND CRESSIDA,
iii. 1. 47.
“‘Broken music’ means what we now term
‘a string band.’ Shakespeare plays with the term twice [thrice]: firstly in Troilus and Cressida, act iii. sc. 1, proving that the
musicians then on the stage were performing on stringed instruments; and secondly in Henry V., act v. sc. 2, where he says to the French
Princess Katherine, ‘Come, your answer in broken music; for thy voice is music and
thy English broken.’ [Again in As You Like It,
act i. sc. 2: ‘But is there any else longs to feel this broken music in his
sides?’] The term originated probably from harps, lutes, and such other stringed
instruments as were played without a bow, not having the capability to sustain a long note
to its full duration of time.”
Chappell's Popular Music of
the Olden Time, etc., vol. i. p. 246, sec. ed.