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Harper's Encyclopedia of United States History (ed. Benson Lossing) 2 2 Browse Search
Brigadier-General Ellison Capers, Confederate Military History, a library of Confederate States Military History: Volume 5, South Carolina (ed. Clement Anselm Evans) 2 2 Browse Search
Southern Historical Society Papers, Volume 29. (ed. Reverend J. William Jones) 2 2 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4 1 1 Browse Search
Lucius R. Paige, History of Cambridge, Massachusetts, 1630-1877, with a genealogical register 1 1 Browse Search
Thomas Wentworth Higginson, Harvard Memorial Biographies 1 1 Browse Search
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Browsing named entities in Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4. You can also browse the collection for January, 1852 AD or search for January, 1852 AD in all documents.

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Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4, Note. (search)
artist to have been a good likeness at the tine, but others express a doubt. 3. Crayon, by W. W. Story; made from sittings in 1851 at the request of the seventh Earl of Carlisle, with some final touches from Seth W. Cheney, as Story left for Europe before it was quite finished (ante, vol. III. p. 64; IV. p. 261). It has been kept at Castle Howard, Yorkshire; it is a good likeness, and represents Sumner at his best, in the fulness and strength of manhood. Prescott wrote to Sumner in January, 1852: You cannot expect a better likeness in every sense. It was lithographed by S. W. Chandler before it was sent to England. Epes Sargent wrote of the print, which was published in 1854, that it was a capital likeness, and that nothing could be better. The biographer has a copy of a photograph of the picture, taken at York since the senator's death. 4. Daguerreotype, by Southworth and Hawes, of Boston, in 1853; taken for, and owned by, the biographer, and engraved for this Memoir (vol