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Document Max. Freq Min. Freq
Harper's Encyclopedia of United States History (ed. Benson Lossing) 225 225 Browse Search
Lucius R. Paige, History of Cambridge, Massachusetts, 1630-1877, with a genealogical register 54 54 Browse Search
Brigadier-General Ellison Capers, Confederate Military History, a library of Confederate States Military History: Volume 5, South Carolina (ed. Clement Anselm Evans) 29 29 Browse Search
Knight's Mechanical Encyclopedia (ed. Knight) 28 28 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 25 25 Browse Search
The Cambridge of eighteen hundred and ninety-six: a picture of the city and its industries fifty years after its incorporation (ed. Arthur Gilman) 11 11 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 10 10 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 9 9 Browse Search
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 10: The Armies and the Leaders. (ed. Francis Trevelyan Miller) 9 9 Browse Search
Medford Historical Society Papers, Volume 23. 7 7 Browse Search
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Browsing named entities in Bliss Perry, The American spirit in lierature: a chronicle of great interpreters. You can also browse the collection for 1875 AD or search for 1875 AD in all documents.

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Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 7: romance, poetry, and history (search)
d, and New England tragedies, added little to a reputation won in other fields. His sonnets, particularly those upon Chaucer, Milton, the Divina Commedia, a Nameless grave, Felton, Sumner, nature, My books, are among the imperishable treasures of the English language. In descriptive pieces like Keramos and The Hanging of the Crane, in such personal and occasional verses as The Herons of Elmwood, the Fiftieth birthday of Agassiz, and the noble Morituri Salutamus written for his classmates in 1875, he exhibits his tenderness of affection and all the ripeness of his technical skill. But it was as a lyric poet, after all, that he won and held his immense audience throughout the Englishspeaking world. Two of the most popular of all his early pieces, The Psalm of life and Excelsior, have paid the price of a too apt adjustment to the ethical mood of an earnest moment in our national life. We have passed beyond them. And many readers may have outgrown their youthful pleasure in Maidenhoo
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 10: a New nation (search)
ympathy with the Empire, then at war. It was the sole evidence of political emotion in a lifetime of seventy-three years. American writing men are justly proud, nevertheless, of this expatriated craftsman. The American is inclined to admire good workmanship of any kind, as far as he can understand the mechanism of it. The task of really understanding Henry James has been left chiefly to clever women and to a few critics, but ever since A passionate Pilgrim and Roderick Hudson appeared in 1875, it has been recognized that here was a master, in his own fashion. What that fashion is may now be known by anyone who will take the pains to read the author's prefaces to the New York edition of his revised works. Never, not even in the Paris which James loved, has an artist put his intentions and his self-criticism more definitively upon paper. The secret of Henry James is told plainly enough here: a specially equipped intelligence, a freedom from normal responsibilities, a consuming de