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Browsing named entities in Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.).

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en, of the lockmen's house, and the small-voiced but sincere hospitality of the Yankee housewife offering the obsolete refreshment of molasses and ginger, read like pages Irving forgot to put into The sketch Book. These things are seen with the naturalist's clear grave eyes and recorded in plain words with no attempt at oracular profundity. For the sake of more such true pictures of reality, how gladly would the modern reader forego the disquisitions on Persius and Ossian. The next year, 1850, Thoreau and his friend Channing made a brief raid across the border into Quebec, though the record of his experience was not published until 1866, with the title A Yankee in Canada. Stevenson found the book dull. Still, it has an interest of its own for the light it sheds on Thoreau's peculiar temperament, and particularly on his robust Americanism, a sentiment based on traditional dislike of Britain and on contempt for monarchy as an effete institution. Patriotism is a curious passion.
went up at sixteen and took his degree at twenty. His portrait at this time shows a smooth, grave face dominated by a Roman nose and overhung by a bush of fine brown hair. What benefit he derived from his college years is a matter both of record and of inference. What I was learning in college was chiefly, I think, to express myself, he writes five years after leaving Harvard. Perhaps the most significant memorial of his college career is the Latin letter he wrote to his sister Helen, in 1840. It gave him pleasure to use the language of Virgil and Cicero, for one of the many paradoxes in Thoreau's life was the union of true American contempt for tradition with an unaffected love of the classics. After a diatribe against the narrow religiosity of New England, he draws breath to praise the Ionian father of the rest, with the enthusiasm of Keats. There are few books which deserve to be remembered in our wisest hours, but the Iliad is brightest in the serenest days, and embodies
of Thoreau and the student of literature than to the general reader. Then came the break-down of his health. It was the irony of fate that the man who lived according to nature, who obeyed the dictates of spare temperance, who never seemed to tire, should die of tuberculosis, the scourge of civilized life. His latest portrait, a daguerreotype taken in New Bedford, seven months before his death, shows a hairy, innocent, pathetic face; the eyes have the mute appeal of the consumptive. In 1861, the stricken man made a trip to the West, in the vain hope of restoration to health by change of air. He died in his birthplace, Concord, on 2 May, 1862, in the second year of the Civil War. He has been blamed for expressing his sense of detachment from that terrible conflict, but if, like Mercutio, he cries, A plague on both your houses! it must be remembered that, like Mercutio, he was a dying man. His last letter, dictated to his sister, concludes, I am enjoying existence as much as ever
parade and pedantry. There is a certain gusto with which he inserts the botanical name of a plant after the picturesque vernacular, and distinguishes between Rana palustris and Rana pipiens. In general, the tone he adopts towards the world is that of the pedagogue dealing habitually with inferior minds. After his college days comes an episode which his biographers seem inclined to slur over, perhaps from a false sense of the dignity of biography, and that is the two years, from 25 April, 1841, to May, 1843, which Thoreau spent under Emerson's roof. By the time Thoreau left Harvard, Emerson had become a power in the spiritual life of America. His brief career as a Unitarian minister was already far behind him; he had made his pilgrimage to Europe; he had penetrated the wilds of Scotland to Craigenputtock because one Thomas Carlyle, another unrecognized genius, lived there. He had given in Boston those lectures on Great men and The philosophy of history which foreshadow the great
re. What roused him was the spectacle of fugitive slaves escaping to the free North, and, through the action of Northern courts, dragged back into slavery. The State was clearly in the wrong; Thoreau, in his own phrase, declared war on the State, by refusing to pay his poll-tax. He believed that such passive resistance by a number of taxpayers would bring about the abolition of slavery. He was therefore quite consistent with himself when he stood forth from the crowd as the champion of John Brown in his history-making raid on Harper's Ferry. Public opinion, North and South, condemned the raid as the outrage of a fanatic attempting to kindle a servile war. Thoreau was of the remnant who saw its true bearing. It was in the first year of his Walden hermitage that Thoreau was arrested and lodged in jail for refusing to pay his poll-tax. He tells how he was going to the cobbler's, with a shoe to be mended, when the Law laid hold of him, how he spent the evening very pleasantly with
ransparent and colourless. Seen in its native element, it is a very beautiful and compact fish, perfect in all its parts, and looks like a brilliant coin fresh from the mint. If the whole book had been of this texture, it would be a classic. Another element in the book which Thoreau valued slightly those incidental glimpses of a vanished America—will be prized by later generations. His accounts of the mountain people he discovered, of the girl combing her black hair, of his surly host, Rice, and his strange inn, of the old farmer praying in the dim morning pasture, of the canal boatmen, of the lockmen's house, and the small-voiced but sincere hospitality of the Yankee housewife offering the obsolete refreshment of molasses and ginger, read like pages Irving forgot to put into The sketch Book. These things are seen with the naturalist's clear grave eyes and recorded in plain words with no attempt at oracular profundity. For the sake of more such true pictures of reality, how gl
ginger, read like pages Irving forgot to put into The sketch Book. These things are seen with the naturalist's clear grave eyes and recorded in plain words with no attempt at oracular profundity. For the sake of more such true pictures of reality, how gladly would the modern reader forego the disquisitions on Persius and Ossian. The next year, 1850, Thoreau and his friend Channing made a brief raid across the border into Quebec, though the record of his experience was not published until 1866, with the title A Yankee in Canada. Stevenson found the book dull. Still, it has an interest of its own for the light it sheds on Thoreau's peculiar temperament, and particularly on his robust Americanism, a sentiment based on traditional dislike of Britain and on contempt for monarchy as an effete institution. Patriotism is a curious passion. It does not seem possible to love one's own country except by hating some other country. Emerson defines Thoreau almost in these terms: No tru
a natural object. Such genuine admiration for Greek genius is rare at any time, and certainly not many American hands could have been busy translating Aeschylus, Pindar, and Anacreon in the hurried forties and fifties of the nineteenth century. This large and solid academic basis for Thoreau's culture is not generally observed. His devotion to the Greeks rings truer than his various utterances on Indian literature and philosophy. Besides, he was well seen in the English classics from Chaucer downwards. A few pages of A Week yield quotations from Emerson, Ovid, Quarles, Channing, Relations des Jesuits, Gower, Lydgate, Virgil, Tennyson, Percy's Reliques, Byron, Milton, Shakespeare, Spenser, Simonides. As Lowell remarks, His literature was extensive and recondite. The truth is, Thoreau was a man of letters, whose great ambition was to study and to write books. During and after his college career, Thoreau taught school, like the hero of Elsie Venner. He is quite frank about
ilosophy of history which foreshadow the great address commonly called the declaration of independence for American literature. See Book II, Chap. IX. He had brought out his Scottish friend's odd book, Sartor Resartus, a publication which accelerated the Transcendental movement. Emerson discovered the youth Thoreau as a true poet, and communicated the discovery in a letter to Carlyle. Thoreau became a member of Emerson's household, apparently as general help, a relationship which all Americans will understand but which will be the despair of Europeans The most practical and handy person in all matters of every day life, a good mechanic and gardener, methodical in his habits, observant and kindly in the domestic world, is the character Emerson gives him. There must have been a cash nexus, but the essence of the relationship was the tie uniting master and pupil, sage and disciple. This long and close association with the great literary force of that time had no slight effect
icion of parade and pedantry. There is a certain gusto with which he inserts the botanical name of a plant after the picturesque vernacular, and distinguishes between Rana palustris and Rana pipiens. In general, the tone he adopts towards the world is that of the pedagogue dealing habitually with inferior minds. After his college days comes an episode which his biographers seem inclined to slur over, perhaps from a false sense of the dignity of biography, and that is the two years, from 25 April, 1841, to May, 1843, which Thoreau spent under Emerson's roof. By the time Thoreau left Harvard, Emerson had become a power in the spiritual life of America. His brief career as a Unitarian minister was already far behind him; he had made his pilgrimage to Europe; he had penetrated the wilds of Scotland to Craigenputtock because one Thomas Carlyle, another unrecognized genius, lived there. He had given in Boston those lectures on Great men and The philosophy of history which foreshadow
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