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Harper's Encyclopedia of United States History (ed. Benson Lossing) 268 268 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 41 41 Browse Search
Robert Underwood Johnson, Clarence Clough Buell, Battles and Leaders of the Civil War: Volume 2. 29 29 Browse Search
Brigadier-General Ellison Capers, Confederate Military History, a library of Confederate States Military History: Volume 5, South Carolina (ed. Clement Anselm Evans) 27 27 Browse Search
The Cambridge of eighteen hundred and ninety-six: a picture of the city and its industries fifty years after its incorporation (ed. Arthur Gilman) 20 20 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 11 11 Browse Search
Robert Underwood Johnson, Clarence Clough Buell, Battles and Leaders of the Civil War. Volume 3. 11 11 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 9 9 Browse Search
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 10: The Armies and the Leaders. (ed. Francis Trevelyan Miller) 7 7 Browse Search
Robert Underwood Johnson, Clarence Clough Buell, Battles and Leaders of the Civil War. Volume 4. 6 6 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for 1885 AD or search for 1885 AD in all documents.

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Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 18: Prescott and Motley (search)
, mellow light. As a Western humorist, the first to introduce the spirit of the Pacific Coast into humorous literature, he influenced his admirer, Mark Twain, and as a writer of easy, fertile monologue he anticipated Josh Billings, and Artemus Ward, two of his most famous successors. For the present discussion there remain three men who, in the history of American humour, stand out more prominently than all others from colonial days to Mark Twain: Henry Wheeler Shaw, Josh Billings (1818-85); David Ross Locke, Petroleum V. Nasby (1833-88); and Charles Farrar Browne, Artemus Ward (834-67). The first of these, a child of Massachusetts, wandered out to Ohio and finally settled as an auctioneer in New York State, where he began to contribute to various newspapers and magazines. His early writings attracted no attention until, in 1860, he changed his spelling in the Essa on the Muel, and then he achieved a popularity which never failed him. As a lecturer and as a witty philosopher
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 22: divines and moralists, 1783-1860 (search)
n pulpit, which soon became a national platform, he was preaching straight at human nature, and touching it with a more and more liberating hand as he advanced in years. From his Seven lectures to young men (1844) to his Evolution and religion (1885) he came a long way. The Lectures are addressed apparently not to young men in general, but to young employees—clerks, mechanics, salesmen, and apprentices. Hence their flavour of Poor Richard and the Industrious Apprentice. Guided to his audienshed his task of educating public opinion at home and abroad toward the abolition of slavery, he turned to this other task of spiritual emancipation. If I had preached thirty years ago, he says in one of the sermons of his Evolution and religion (1885), what I preach now, it would have been a great mischief to you; but for thirty years I have been cautious, and have fed you as you could bear it. Beecher did not, it would seem, understand the full power of the instrument he was employing, and
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 23: writers of familiar verse (search)
at the Breakfast-Table (1860), The Poet at the Breakfast-Table (1872), and Over the Teacups (1890). For the same monthly he wrote many disconnected essays, some of which he sent forth in 1863 under the appropriate name Soundings from the Atlantic. In the several volumes of the Breakfast Table series there is a thin thread of story and the obligatory wedding winds them up at the end; and in his three attempts at fiction, Elsie Venner (1861), The Guardian Angel (1867), and A Mortal Antipathy (1885), the thread is only a little strengthened and there is no overt abandonment of the leisurely method of the essayist. From the telling of fictitious biographies to the writing of the lives of two of his friends was only a step; and he published a memoir of John Lothrop Motley in 1878 and a study of Emerson in 1884. It was in 1883, when he was seventy-four, that he resigned his professorship; and it was in 1886, when he was seventy-seven, that he paid his second visit to Europe. He spent
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 24: Lowell (search)
literature, notably Dante. The result of these studies was a long succession of essays which make up the volumes Among My books (1870), My study Windows (1871), and Among My books, second series (1876). It is these books which are his main contributions to literary criticism. Lowell and his wife spent two years (1872-74) in Europe, and after a brief resumption of his professorship he was appointed minister to Spain in 1877, and in 1880 was transferred to England. After his retirement in 1885 he spent a considerable part of his time in England until his death in 1891. The mission was a recognition of his distinction not merely as a man of letters but as a representative of the best American culture, and this distinction Lowell maintained in a number of addresses on both literary and political themes, represented by the volume Democracy and other addresses (1886). Although his poetry became infrequent there was enough for annual volume, Heartsease and Rue, in 1880. To all thes
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 4: the New South: Lanier (search)
ental action. They are rhythmic with the cadences of an oratory which too frequently forsook cold argument for fervid appeals to tradition and class interests. Rare was the apostle like Curry who preached the democratic necessity of developing both the black and the white races. Rarer still was the seer like Lamar who divined that the hope of the future lay in going to work to develop the material resources of the section. Not till we reach the fascinating figure of Henry Woodfin Grady (1885-89) do we find a true representative of the new generation. He is recognized by common consent as the chief latter-day orator of his section. Born in Athens, Georgia, he grew up in the turmoil of the Civil War, often visited the camp of his father's soldiers, and could never forget the scene when Major Grady's remains were brought back from one of the last battles around Petersburg. His sunny disposition and his inexhaustible flow of animal spirits made him a general favourite with the pro
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 6: the short story (search)
, while revising his work declared that he had felt a sense of relief when he abandoned the frail craft of the short story where he ever had felt in danger of running ashore. Scarcely one of the later group of short story writers but sooner or later sought permanence in what, though they might not have confessed it, seemed to them the more permanent and dignified form of fiction. Beginning in 1884, however, collections more and more began to dominate the output of fiction. Henry James in 1885 gathered up his scattered work of a decade and put it forth as Stories revived. Others followed him, until seven years later the critic Copeland could devote an entire Atlantic article to the short-story collections of the year. The full triumph came in 1891, which produced this significant list of collections: Elsket, and other stories, Thomas Nelson Page; Balaam and his master, Joel Chandler Harris; Flute and violin, James Lane Allen; Otto the Knight, Octave Thanet (Alice French); Main-T
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 7: books for children (search)
ho refused to attend Sunday School and lived to a miserable end. In the long line of authors of these books, the two prime offenders demand mention not so much for the greater bulk of their sins as for their greater popularity. Susan Warner (1819-85） See also Book III, Chap. XI. under the pen name of Elizabeth Wetherell published her two chief stories The wide wide world in 1850 and Queechy in 1852. Both were phenomenally successful and widely translated. Their heroines when not undergoi his eccentric illustrations; and his Robin Hood (1883) is capital romance. In nonsense books, the imitators of Lewis Carroll and Edward Lear were many in the last years of the century; but the best of them, Charles Carryl in Davy and the Goblin (1885), only invite comparison. Somewhat earlier, Lucretia P. Hale in Peterkin papers (1882) created a new form of nonsense of a more literal sort; and this for spontaneous fun and clever foolishness is remarkable. Fairy tales seem to have no foothold