hide Matching Documents

The documents where this entity occurs most often are shown below. Click on a document to open it.

Document Max. Freq Min. Freq
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 26 2 Browse Search
Thomas Wentworth Higginson, Olde Cambridge 14 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 8 0 Browse Search
Thomas Wentworth Higginson, Massachusetts in the Army and Navy during the war of 1861-1865, vol. 2 7 3 Browse Search
Francis Jackson Garrison, William Lloyd Garrison, 1805-1879; the story of his life told by his children: volume 1 4 0 Browse Search
The writings of John Greenleaf Whittier, Volume 6. (ed. John Greenleaf Whittier) 2 0 Browse Search
The writings of John Greenleaf Whittier, Volume 4. (ed. John Greenleaf Whittier) 2 0 Browse Search
Charles Congdon, Tribune Essays: Leading Articles Contributing to the New York Tribune from 1857 to 1863. (ed. Horace Greeley) 2 0 Browse Search
Mary Thacher Higginson, Thomas Wentworth Higginson: the story of his life 2 0 Browse Search
The writings of John Greenleaf Whittier, Volume 7. (ed. John Greenleaf Whittier) 2 0 Browse Search
View all matching documents...

Browsing named entities in The writings of John Greenleaf Whittier, Volume 6. (ed. John Greenleaf Whittier). You can also browse the collection for Hosea Biglow or search for Hosea Biglow in all documents.

Your search returned 1 result in 1 document section:

The writings of John Greenleaf Whittier, Volume 6. (ed. John Greenleaf Whittier), Old portraits and modern Sketches (search)
terest? That our huge, unshapely shingle structures, blistering in the sun and glaring with windows, were evidently never reared by the spell of pastoral harmonies, as the walls of Thebes rose at the sound of the lyre of Amphion? That the habits of our people are too cool, cautious, undemonstrative, to furnish the warp and woof of song and pastoral, and that their dialect and figures of speech, however richly significant and expressive in the autobiography of Sam Slick, or the satire of Hosea Biglow and Ethan Spike, form a very awkward medium of sentiment and pathos? All this may be true. But the Yankee, after all, is a man, and as such his history, could it be got at, must have more or less of poetic material in it; moreover, whether conscious of it or not, he also stands relieved against the background of Nature's beauty or sublimity. There is a poetical side to the commonplace of his incomings and outgoings; study him well, and you may frame an idyl of some sort from his appare