Browsing named entities in Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4. You can also browse the collection for Carlisle or search for Carlisle in all documents.

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Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4, Chapter 50: last months of the Civil War.—Chase and Taney, chief-justices.—the first colored attorney in the supreme court —reciprocity with Canada.—the New Jersey monopoly.— retaliation in war.—reconstruction.—debate on Louisiana.—Lincoln and Sumner.—visit to Richmond.—the president's death by assassination.—Sumner's eulogy upon him. —President Johnson; his method of reconstruction.—Sumner's protests against race distinctions.—death of friends. —French visitors and correspondents.—1864-1865. (search)
n Sumner returned from Washington, and the latter sought his bedside, bearing to him books and pamphlets most likely to interest him. Mr. Livermore's last note to him, dated June 7, was grateful and affectionate. He died in August. Sumner at once published a tribute to his friend, in which he commemorated his refined tastes, generous sympathies, and enthusiasm in bibliography. Boston Advertiser, Sept. 2, 1865; Works, vol. IX. pp. 433-436. Sumner's early friend, the seventh Earl of Carlisle, Ante, vol. II. p. 71. died Dec. 5, 1864, at Castle Howard, Yorkshire. His disease was paralysis, which had disabled him in the summer. His niece, the Duchess of Argyll, kept Sumner informed of the progress of his malady, and his brother, Charles Howard, Younger brother of the seventh earl and son-in-law of Lord Wensleydale (Baron Parke). His only son George, who married a daughter of the second Lord Stanley of Alderley, succeeded to the earldom in 1889 by the death of his uncle, Wil
be in chronological order:— 1. The earliest representation of any kind is Crawford's bust, taken at Rome in 1839, now in the Boston Art Museum (ante, vol. II. pp. 94, 265). 2. Crayon drawing, by Eastman Johnson in 1846, belonging to the Longfellow family, and engraved for this Memoir (vol. II.). It is held by the artist to have been a good likeness at the tine, but others express a doubt. 3. Crayon, by W. W. Story; made from sittings in 1851 at the request of the seventh Earl of Carlisle, with some final touches from Seth W. Cheney, as Story left for Europe before it was quite finished (ante, vol. III. p. 64; IV. p. 261). It has been kept at Castle Howard, Yorkshire; it is a good likeness, and represents Sumner at his best, in the fulness and strength of manhood. Prescott wrote to Sumner in January, 1852: You cannot expect a better likeness in every sense. It was lithographed by S. W. Chandler before it was sent to England. Epes Sargent wrote of the print, which was pub