Browsing named entities in The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 1: The Opening Battles. (ed. Francis Trevelyan Miller). You can also browse the collection for Edwards or search for Edwards in all documents.

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long held possession of what is now the Gulf coast of the United States had built a fort. On its site the United States Government had erected a strong fortification called Fort Barrancas. Between this point and a low-lying sandy island directly opposite, any vessels going up to Pensacola must pass. On the western end of this island was the strongly built Fort Pickens. Early in 1861 both forts were practically ungarrisoned. This remarkable picture, taken by the New Orleans photographer Edwards, in February, 1861, belongs to a series hitherto unpublished. Out of the deep shadows of the sally port we look into the glaring sunlight upon one of the earliest warlike moves. Here we see one of the heavy pieces of ordnance that were intended to defend the harbor from foreign foes, being shifted preparatory to being mounted on the rampart at Fort Barrancas, which, since January 12th, had been in possession of State troops. Fort Pickens, held by a mere handful of men under Lieutenant Sl
y of the Potomac, which were hurried straightway to Secretary Stanton at Washington. Sam A. Cooley was attached to the Tenth Army Corps, and recorded the happenings around Savannah, Fort McAllister, Jacksonville, St. Augustine, Beaufort, and Charleston during the bombardment; George M. Barnard, under the supervision of General O. M. Poe (then Captain in the Engineer Corps), did yeoman's service around Atlanta. S. R. Siebert was very busy indeed at Charleston in 1865. Cook of Charleston, Edwards of New Orleans, and other unknown men on the Confederate side, working under even greater difficulties (Cook, for instance, had to secure his chemicals from Anthony in New York — who also supplied Brady — and smuggle them through), did their part in the vast labor; and many another unknown, including the makers of the little cartes de visite, contributed to the panorama which to-day unfolds itself before the reader. One most interesting camera-man of unique kind was A. D. Lytle, of Baton