hide Matching Documents

The documents where this entity occurs most often are shown below. Click on a document to open it.

Document Max. Freq Min. Freq
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 10 0 Browse Search
John Harrison Wilson, The life of Charles Henry Dana 8 0 Browse Search
Thomas Wentworth Higginson, Oldport days, with ten heliotype illustrations from views taken in Newport, R. I., expressly for this work. 4 0 Browse Search
Thomas Wentworth Higginson, Book and heart: essays on literature and life 4 0 Browse Search
Thomas Wentworth Higginson, Atlantic Essays 4 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
Southern Historical Society Papers, Volume 33. (ed. Reverend J. William Jones) 2 0 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 2 0 Browse Search
Francis Jackson Garrison, William Lloyd Garrison, 1805-1879; the story of his life told by his children: volume 2 2 0 Browse Search
Frank Preston Stearns, Cambridge Sketches 2 0 Browse Search
View all matching documents...

Browsing named entities in Frank Preston Stearns, Cambridge Sketches. You can also browse the collection for Heine or search for Heine in all documents.

Your search returned 1 result in 1 document section:

Frank Preston Stearns, Cambridge Sketches, C. P. Cranch. (search)
re me. I think it must have been painted anterior to his sojourn in Rome, owing to the coldness of the coloring. It represents a scene on the Hudson near Fishkill, with some cattle in the foreground, and a rather bold-looking mountain on the opposite side of the river. The clouds above the mountain are light and fleecy; the foliage soft and graceful; the cattle also are fine, but the effect is like a chilly spring day when one requires a winter overcoat. An allegorical piece, illustrating Heine's fir-tree dreaming of the palm, has a much pleasanter effect, although it represents a wintry scene. His art improved greatly in Paris, and he also wrote a number of short poems which his friend, James Russell Lowell, published in the Atlantic Monthly. In 1856 George L. Stearns sent him an order for a painting, which Cranch executed the following year, and wrote Mr. Stearns this explanation concerning it, in a very interesting letter dated Paris, March 18, 1857: Your picture is done