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Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 14 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 10 0 Browse Search
Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 4 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 3 4 0 Browse Search
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters 4 0 Browse Search
Knight's Mechanical Encyclopedia (ed. Knight) 4 0 Browse Search
Thomas Wentworth Higginson, Margaret Fuller Ossoli 2 0 Browse Search
Thomas Wentworth Higginson, Atlantic Essays 2 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4 2 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 2 0 Browse Search
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Browsing named entities in Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing). You can also browse the collection for Montaigne or search for Montaigne in all documents.

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Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing), chapter 4 (search)
argaret was struck with the singular fineness of his perceptions, and the pious tendency of his thoughts, and enjoyed with him his proud reception, not as from above, but almost on equal ground, of Homer and Aeschylus, of Dante and Petrarch, of Montaigne, of Calderon, of Goethe. Margaret wished, also, to defend his privacy from the dangerous solicitations to premature authorship:— His mind should be approached close by one who needs its fragrance. All with him leads rather to glimpses ande, whose clearsightedness only made him more noble. love him well that he could see without showing those myriad mean faults of the social man, and yet make no nearer approach to misanthropy than his Alceste. These witty Frenchmen, Rabelais, Montaigne, Moliere, are great as were their marshals and preux chevaliers; when the Frenchman tries to be poetical, he becomes theatrical, but he can be romantic, and also dignified, maugre shrugs and snuff-boxes. Thursday Evening.—Although I have be