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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 20 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 17 1 Browse Search
Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 14 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 14 0 Browse Search
Frank Preston Stearns, Cambridge Sketches 12 0 Browse Search
Thomas Wentworth Higginson, Book and heart: essays on literature and life 12 0 Browse Search
Thomas Wentworth Higginson, Harvard Memorial Biographies 10 0 Browse Search
Thomas Wentworth Higginson, Carlyle's laugh and other surprises 8 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 3 8 0 Browse Search
Thomas Wentworth Higginson, Olde Cambridge 7 1 Browse Search
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Browsing named entities in Thomas Wentworth Higginson, Carlyle's laugh and other surprises. You can also browse the collection for Tennyson or search for Tennyson in all documents.

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Thomas Wentworth Higginson, Carlyle's laugh and other surprises, chapter 4 (search)
The same lucky spell is attributed to a piece of the bride's garter, in Normandy, or to pins filched from her dress, in Sussex. For those more cultivated, the charm of this transmitted personality is best embodied in autographs, and the more unstudied and unpremeditated the better. In the case of a poet, nothing can be compared with the interest inspired by the first draft of a poem, with its successive amendments — the path by which his thought attained its final and perfect utterance. Tennyson, for instance, was said to be very indignant with those who bore away from his study certain rough drafts of poems, justly holding that the world had no right to any but the completed form. Yet this is what, as students of poetry, we all instinctively wish to do. Rightly or wrongly, we long to trace the successive steps. To some extent, the same opportunity is given in successive editions of the printed work; but here the study is not so much of changes in the poet's own mind as of those
Thomas Wentworth Higginson, Carlyle's laugh and other surprises, VII: Henry David Thoreau (search)
se the mass of any literature. What is nature, he elsewhere says, unless there is a human life passing within it? Many joys and many sorrows are the lights and shadows in which she shines most beautiful. This is the real and human Thoreau, who often whimsically veiled himself, but was plainly enough seen by any careful observer. That he was abrupt and repressive to bores and pedants, that he grudged his time to them and frequently withdrew himself, was as true of him as of Wordsworth or Tennyson. If they were allowed their privacy, though in the heart of England, an American who never left his own broad continent might at least be allowed his privilege of stepping out of doors. The Concord school-children never quarreled with this habit, for he took them out of doors with him and taught them where the best whortleberries grew. His scholarship, like his observation of nature, was secondary to his function as poet and writer. Into both he carried the element of whim; but his ve
Thomas Wentworth Higginson, Carlyle's laugh and other surprises, IX: George Bancroft (search)
ed dignity of the scholar who has also been, in his day, a man of affairs, and who is yet too energetic to repose upon his laurels or waste much time upon merely enjoying the meed of fame he has won. In both his winter and summer abodes he had something of the flattering position of First Citizen; he was free of all sets, an honored member of all circles. His manners were often mentioned as courtly, but they never quite rose to the level of either of the two classes of manner described by Tennyson:-- Kind nature is the best, those manners next That fit us like a nature second-hand; Which are indeed the manners of the great. Neither of these descriptions exactly fitted Mr. Bancroft; his manners were really of the composite sort, and curiously suggestive of the different phases of his life. They were like that wonderful Japanese lacquer-work, made up of twenty or thirty different coats or films, usually laid on by several different workmen. There was at the foundation the some
Thomas Wentworth Higginson, Carlyle's laugh and other surprises, chapter 22 (search)
f Venice with such success that by 1883 he had completed an edition of all the plays in forty volumes. It has long been accepted as a standard critical authority, being quoted as such by leading English and German editors. He was lately engaged in a thorough revision of this edition, doing this task after he had reached the age of seventy-five. He has also edited Scott's complete poems, as well as (separately) The Lady of the Lake and The lay of the last Minstrel ; an Edition de luxe of Tennyson's works in twelve volumes, and another, the Cambridge Edition, in one volume. He has edited volumes of selections from Milton, Gray, Goldsmith, Wordsworth, and Browning, with Mrs. Browning's Sonnets from the Portuguese. He is also the author of Shakespeare the boy, with sketches of youthful life of that period; The Satchel guide to Europe, published anonymously for twenty-eight years; and a book on the Elementary study of English. With his son, John C. Rolfe, Ph. D., Professor of Latin i