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The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 9: Poetry and Eloquence. (ed. Francis Trevelyan Miller) 14 0 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 12 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
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Browsing named entities in The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 9: Poetry and Eloquence. (ed. Francis Trevelyan Miller). You can also browse the collection for George Parsons Lathrop or search for George Parsons Lathrop in all documents.

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e was filled with varied activities. From 1877 to 1885 he represented this country at Madrid and London. He continued to publish poetry and prose that made him at his death in 1891 the most eminent man of letters in America. and Stedman's Gettysburg, though written some years after the event, reviews the three days fight in rolling strophes that preserve the elation of triumph thrilling the North on the morrow of that stupendous conflict. With these should be mentioned the ode of George Parsons Lathrop, recited on the twenty-fifth anniversary of Gettysburg before the joint meeting of Union and Confederate veterans, for, with a voice at times eloquent, it renders the spirit of brotherhood that now predominates in our thoughts when dwelling on the greatest battle in American history. The leaders in these historic events have occasioned more eulogies than will ever be cherished. The poet is here at a peculiar disadvantage, which can be overcome only by finding the inevitable phras
is ‘Forward!’ along the whole line. Edmund Clarence Stedman. Keenan's charge from Dreams and days, copyright, 1892, by Charles Scribner's sons. George Parsons Lathrop. The following poem was suggested by General Pleasonton's article in the century, which is reprinted in battles and leaders, III, 172 ff. the charge front’ and of the Germanna Plank Road as seen from the hill near the Lacy house, recall vividly the two notable events of Chancellorsville that form the theme of Lathrop's poem. On May 2, 1863, ‘Stonewall’ Jackson had marched around the right flank of the Union army and late in the afternoon had fallen with terrific force upon Hohancellorsville battlefield, where Keenan's charge had swept on May 2, 1863 Across this spot swept the charge of the Eighth Pennsylvania Cavalry, celebrated in Lathrop's lines. Major Pennock Huey thus reported the affair: ‘We moved off briskly to the right, and found General Howard had fallen back, and the enemy's skirmish
the war Two bullets, one Federal, the other Confederate Two hostile bullets in mid-air Together shocked And swift were locked Forever in a firm embrace –Lathrop This is a picture of which Captain Gordon McCabe of Richmond, Virginia, writes: I send photographs of two bullets, one Federal, the other Confederate, thambrace. Then let us men have so much grace Noble men in humbler raiment fell: a Confederate sharpshooter killed at the battle of Gettysburg The words from Lathrop's poem on Gettysburg apply to the 7,058 soldiers who fell in this deadliest of American battles. The point photographed is Devil's Den, a rocky height rising shach other, Brother and brother, In storm and mist, or calm, translucent weather: And Gettysburg's guns, with their death-giving roar, Echoed from ocean to ocean, shall pour Quickening life to the nation's core; Filling our minds again With the spirit of those who wrought in the Field of the Flower of Men! George Parsons Lathrop