hide Matching Documents

The documents where this entity occurs most often are shown below. Click on a document to open it.

Document Max. Freq Min. Freq
Knight's Mechanical Encyclopedia (ed. Knight) 18 0 Browse Search
Edward Porter Alexander, Military memoirs of a Confederate: a critical narrative 7 1 Browse Search
Frederick H. Dyer, Compendium of the War of the Rebellion: Regimental Histories 6 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 6. (ed. Frank Moore) 6 6 Browse Search
The Daily Dispatch: August 15, 1861., [Electronic resource] 5 5 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
Benson J. Lossing, Pictorial Field Book of the Civil War. Volume 3. 3 1 Browse Search
William Swinton, Campaigns of the Army of the Potomac 3 1 Browse Search
Oliver Otis Howard, Autobiography of Oliver Otis Howard, major general , United States army : volume 1 3 1 Browse Search
View all matching documents...

Browsing named entities in The Daily Dispatch: June 7, 1864., [Electronic resource]. You can also browse the collection for Weber or search for Weber in all documents.

Your search returned 1 result in 1 document section:

Death of Meyerbeer, the Composer. --Late European papers announce the death of M Meyerbeer, the author of "Robert le Diable," "Lee Huguenots," "Le Prophete," and other operas known throughout the whole world of music. This illustrious master was born at Berlin in 1794; he showed early talents for music, and was a fellow pupil of Weber under the Abbe Vogler at Darmstadt at the age of 15. In his style he has carried the power of sound, per to its highest allowable pitch, and has thus paved the way for the modern German school of music. While at times he terrifies his audience with the amazing breadth and volume of sound in which he exults, he can also charm them to tears by the delicate manipulation of his subject and the exquisite pathos of his melody. He lived and died in the Jewish persuasion, like Halevy, his brother and competitor, whom he has followed so closely to the grave.