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Thomas Hughes (search for this): chapter 30
In the popular Chicago tale of Sweet Clover a young girl says, sadly, I wonder if I shall ever go East; to New York, Boston, Philadelphia, I should like them to be something beside names to me-but what an idea! This is essentially the feeling with which other Americans look towards Europe. It is when the ties of literary association begin to form that older and newer communities come to be more on an equality. We go to England to hear Shakespeare's lark sing at heaven's gate; and Thomas Hughes came to America to hear Lowell's bobolink. These ties again are formed very slowly, and the colonial spirit still lingers so much among us that a very little English reputation goes farther in the United States than a much higher American fame in England. Yet here we are sometimes startled with the discovery that we are also interesting to our elder cousins, as well as our elder cousins to us. Twenty-five years ago the present writer, visiting Europe for the first time, began with the
far less important than matter in America, even in the eyes of those who call themselves artists. Yet she is spoken of by some leading journals as if she were a mere commonplace gossip, without earnestness or purpose; as if her visit to this country were not the culmination of a long series of services rendered to us, through the greatest of the world's reviews, in the translation of American authors and the elucidation of our social system. We still show national weakness in our over-sensitiveness. Probably all Europe cannot afford any one better fitted than Madame Blanc to discuss precisely those aspects of American life which she touches. And when we consider that it is only a few years since Mr. Philbrick, our Educational Commissioner at the Paris Exposition of 1878, complained that he had never yet found a Frenchman who could be convinced that any American woman had ever studied Greek, we ought to be grateful to the French woman who has at last spoken with knowledge. 1896
far less important than matter in America, even in the eyes of those who call themselves artists. Yet she is spoken of by some leading journals as if she were a mere commonplace gossip, without earnestness or purpose; as if her visit to this country were not the culmination of a long series of services rendered to us, through the greatest of the world's reviews, in the translation of American authors and the elucidation of our social system. We still show national weakness in our over-sensitiveness. Probably all Europe cannot afford any one better fitted than Madame Blanc to discuss precisely those aspects of American life which she touches. And when we consider that it is only a few years since Mr. Philbrick, our Educational Commissioner at the Paris Exposition of 1878, complained that he had never yet found a Frenchman who could be convinced that any American woman had ever studied Greek, we ought to be grateful to the French woman who has at last spoken with knowledge. 1896
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