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ed to women. Tennyson, whom Lord Lytton called Miss Alfred, in his day, says frankly of the poet generally, His worst he kept, his best he gave, and pleads earnestly that all of his life except what he puts in print may be recognized as his own. Hawthorne, Emerson, Whittier, and many others have claimed a similar shelter. Longfellow confessed to a dislike to seeing his name in print. Swift, while seeming defiant of the world, read family prayers in secret in his household-in a crypt, as Thackeray said — that they might not be talked about; not only retiring to the Scriptural closet, but taking his whole family there. Shakespeare, while engaged in the most conspicuous of all professions, yet kept his personality so well concealed that there are those who doubt to this day whether he wrote the plays which bear his name, and no one has yet conjectured why he left only his second-best bedstead to his wife. Charles Lamb, when asked for personal details, could remember nothing notable
s it rather a weakness; if they plunge into printer's ink, why not accept the consequences? But surely in the sympathetic breast there is something which pulsates in their defence. The instinct of retiracy is not wholly limited to women. Tennyson, whom Lord Lytton called Miss Alfred, in his day, says frankly of the poet generally, His worst he kept, his best he gave, and pleads earnestly that all of his life except what he puts in print may be recognized as his own. Hawthorne, Emerson, Whittier, and many others have claimed a similar shelter. Longfellow confessed to a dislike to seeing his name in print. Swift, while seeming defiant of the world, read family prayers in secret in his household-in a crypt, as Thackeray said — that they might not be talked about; not only retiring to the Scriptural closet, but taking his whole family there. Shakespeare, while engaged in the most conspicuous of all professions, yet kept his personality so well concealed that there are those who dou
ural closet, but taking his whole family there. Shakespeare, while engaged in the most conspicuous of all professions, yet kept his personality so well concealed that there are those who doubt to this day whether he wrote the plays which bear his name, and no one has yet conjectured why he left only his second-best bedstead to his wife. Charles Lamb, when asked for personal details, could remember nothing notable in his own career except that he once caught a flying swallow in his hand. Campbell, the poet, was so shy that on receiving a compliment he would withdraw within his shell and say no more; he was afraid, as Irving finely said, of the shadow which his own fame cast before him. It would be easy to make up a long list of authors of eminence who have deprecated instead of encouraging all personal information, and who would have been eminently unfitted to live in an age or land of interviewers. It is not apparent that there is any distinction of sex in this matter. The writ
Edward Bellamy (search for this): chapter 31
g be published until after death. This explains also why their own works often seem to authors so remote and worthless; they feel as an apple-tree might feel, if it were human, towards a barrel of its own apples of last season. When to all this is added a woman's lingering tradition of the seclusion due to her sex, it is not strange if authors of that sex hide themselves under initials or feigned names, and decline to publish autobiographies. It is to be observed that those who, like Mr. Bellamy, put into type their dreams of an ideal future state, do not make it clear to us which way we are tending, whether to greater publicity or greater seclusion. Perhaps the more we are destined to have in common, the more we shall take refuge in what we can preserve of retiracy. It is to be noticed that Fourier, the arch-organizer, in the midst of his elaborate groups and intricate series, still recognizes the rights of individuality here and there; and preserves, amid all the inexorable
seem to authors so remote and worthless; they feel as an apple-tree might feel, if it were human, towards a barrel of its own apples of last season. When to all this is added a woman's lingering tradition of the seclusion due to her sex, it is not strange if authors of that sex hide themselves under initials or feigned names, and decline to publish autobiographies. It is to be observed that those who, like Mr. Bellamy, put into type their dreams of an ideal future state, do not make it clear to us which way we are tending, whether to greater publicity or greater seclusion. Perhaps the more we are destined to have in common, the more we shall take refuge in what we can preserve of retiracy. It is to be noticed that Fourier, the arch-organizer, in the midst of his elaborate groups and intricate series, still recognizes the rights of individuality here and there; and preserves, amid all the inexorable machinery, some little corners where personal privacy may hold its own. 1896
Emily Dickinson (search for this): chapter 31
side of himself, and, when it is done, his ordinary life is but the nest from which that bird of fancy has flown. Why then should he dwell upon it, or give its precise measurements? The poem comes to him; he cannot sit down and make it by an effort of will. It is strange to him that the word poet should mean maker, when his experience is that the poem, even if a poor one, makes itself. Its production also affords a relief; and this explains the many cases where-as, in America, with Emily Dickinson and Francis Saltus-one may spend a whole lifetime in making verses, and yet let almost nothing be published until after death. This explains also why their own works often seem to authors so remote and worthless; they feel as an apple-tree might feel, if it were human, towards a barrel of its own apples of last season. When to all this is added a woman's lingering tradition of the seclusion due to her sex, it is not strange if authors of that sex hide themselves under initials or feig
Shakespeare (search for this): chapter 31
t he gave, and pleads earnestly that all of his life except what he puts in print may be recognized as his own. Hawthorne, Emerson, Whittier, and many others have claimed a similar shelter. Longfellow confessed to a dislike to seeing his name in print. Swift, while seeming defiant of the world, read family prayers in secret in his household-in a crypt, as Thackeray said — that they might not be talked about; not only retiring to the Scriptural closet, but taking his whole family there. Shakespeare, while engaged in the most conspicuous of all professions, yet kept his personality so well concealed that there are those who doubt to this day whether he wrote the plays which bear his name, and no one has yet conjectured why he left only his second-best bedstead to his wife. Charles Lamb, when asked for personal details, could remember nothing notable in his own career except that he once caught a flying swallow in his hand. Campbell, the poet, was so shy that on receiving a complim
breast there is something which pulsates in their defence. The instinct of retiracy is not wholly limited to women. Tennyson, whom Lord Lytton called Miss Alfred, in his day, says frankly of the poet generally, His worst he kept, his best he gave, and pleads earnestly that all of his life except what he puts in print may be recognized as his own. Hawthorne, Emerson, Whittier, and many others have claimed a similar shelter. Longfellow confessed to a dislike to seeing his name in print. Swift, while seeming defiant of the world, read family prayers in secret in his household-in a crypt, as Thackeray said — that they might not be talked about; not only retiring to the Scriptural closet, but taking his whole family there. Shakespeare, while engaged in the most conspicuous of all professions, yet kept his personality so well concealed that there are those who doubt to this day whether he wrote the plays which bear his name, and no one has yet conjectured why he left only his secon
and all to some extent succeed; all readily admit that a page or two of personal gossip about them would help their market, yet all with one accord make excuse. Is it to be accounted to them as a virtue or as a weakness? Their critic naturally thinks it rather a weakness; if they plunge into printer's ink, why not accept the consequences? But surely in the sympathetic breast there is something which pulsates in their defence. The instinct of retiracy is not wholly limited to women. Tennyson, whom Lord Lytton called Miss Alfred, in his day, says frankly of the poet generally, His worst he kept, his best he gave, and pleads earnestly that all of his life except what he puts in print may be recognized as his own. Hawthorne, Emerson, Whittier, and many others have claimed a similar shelter. Longfellow confessed to a dislike to seeing his name in print. Swift, while seeming defiant of the world, read family prayers in secret in his household-in a crypt, as Thackeray said — that t
tic naturally thinks it rather a weakness; if they plunge into printer's ink, why not accept the consequences? But surely in the sympathetic breast there is something which pulsates in their defence. The instinct of retiracy is not wholly limited to women. Tennyson, whom Lord Lytton called Miss Alfred, in his day, says frankly of the poet generally, His worst he kept, his best he gave, and pleads earnestly that all of his life except what he puts in print may be recognized as his own. Hawthorne, Emerson, Whittier, and many others have claimed a similar shelter. Longfellow confessed to a dislike to seeing his name in print. Swift, while seeming defiant of the world, read family prayers in secret in his household-in a crypt, as Thackeray said — that they might not be talked about; not only retiring to the Scriptural closet, but taking his whole family there. Shakespeare, while engaged in the most conspicuous of all professions, yet kept his personality so well concealed that the
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