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Shakespeare (search for this): chapter 1
St. George's Day, and the Eve of St. Mark's. She has not, like her sister May in Germany, been transformed to a verb and made a synonyme for joy,—Deine Seele maiet den truben Herbst,—but April was believed in early ages to have been the birth-time of the world. According to the Venerable Bede, the point was first accurately determined at a council held at Jerusalem about A. D. 200, when, after much profound discussion, it was finally decided that the world's birthday occurred on Sunday, April 8th,—that is, at the vernal equinox and the full moon. But April is certainly the birth-time of the season, at least, if not of the planet. Its festivals are older than Christianity, older than the memory of man. No sad associations cling to it, as to the month of June, in which month, says William of Malmesbury, kings are wont to go to war,—Quando solent reges ad arma procedere,—but it contains the Holy Week, and it is the Holy Month. And in April Shakespeare was born, and in April
It is time to chant a hymn of more liberal gratitude. There are no days in the whole round year more delicious than those which often come to us in the latter half of April. On these days one goes forth in the morning, and finds an Italian warmth brooding over all the hills, taking visible shape in a glistening mist of silvered azure, with which mingles the smoke from many bonfires. The sun trembles in his own soft rays, till one understands the old English tradition, that he dances on Easter-Day. Swimming in a sea of glory, the tops of the hills look nearer than their bases, and their glistening watercourses seem close to the eye, as is their liberated murmur to the car. All across this broad intervale the teams are ploughing. The grass in the meadow seems all to have grown green since yesterday. The blackbirds jangle in the oak, the robin is perched upon the elm, the song-sparrow on the hazel, and the bluebird on the apple-tree. There rises a hawk and sails slowly, the stat
sm for vernacular names is like that for Indian names of localities, one-sided: we enumerate only the graceful ones, and ignore the rest. It would be a pity to Latinize Touch-me-not, or Yarrow, or Gold Thread, or Self-Heal, or Columbine, or Blue-Eyed-Grass,—though, to be sure, this last has an annoying way of shutting up its azure orbs the moment you gather it, and you reach home with a bare, stiff blade, which deserves no better name than Sisyrinchium anceps. But in what respect is Cucumber-Root preferable to Medeola, or Solomon's-Seal to Convallaria, or Rock-Tripe to Umbilicaria, or Lousewort to Pedicularis? In other cases the merit is divided: Anemone may dispute the prize of melody with Windflower, Campanula with Harebell, Neottia with Ladies'-Tresses, Uvularia with Bellwort and Strawbell, Potentilla with Cinquefoil, and Sanguinaria with Bloodroot. Hepatica may be bad, but Liverleaf is worse. The pretty name of May-flower is not so popular, after all, as that of Trailing-Arbutu
nominated a thrush. The really rustic names of both plants and animals are very few with us,—the different species are many; and as we come to know them better and love them more, we absolutely require some way to distinguish them from their half-sisters and second-cousins. It is hopeless to try to create new popular epithets, or even to revive those which are thoroughly obsolete. Miss Cooper may strive in vain, with benevolent intent, to christen her favorite spring blossoms May-Wings and Gay-Wings, and Fringe-Cup and Squirrel-Cup, and Cool-Wort and Bead-Ruby; there is no conceivable reason why these should not be the familiar appellations, except the irresistible fact that they are not. It is impossible to create a popular name: one might as well attempt to invent a legend or compose a ballad. Nascitur, non fit. As the spring comes on, and the changing outlines of the elm give daily a new design for a Grecian urn,— its hue first brown with blossoms, then emerald with leaves,
ess, we might be tempted to think that we owe this appreciation, like some other good things, to the participation of woman in literature. But, on the other hand, it must be remembered that the voluminous Duchess of Newcastle, in her Ode on Melancholy, describes among the symbols of hopeless gloom the still moonshine night and a mill where rushing waters run about,—the sweetest natural images. In our own country, the early explorers seemed to find only horror in its woods and waterfalls. Josselyn, in 1672, could only describe the summer splendor of the White Mountain region as dauntingly terrible, being full of rocky hills, as thick as molehills in a meadow, and full of infinite thick woods. Father Hennepin spoke of Niagara, in the narrative still quoted in the guide-books, as a frightful cataract; and honest John Adams could find no better name than horrid chasm for the picturesque gulf at Egg Rock, where he first saw the sea-anemone. But we are lingering too long, perhaps, wi
inaccurate, or else resort sometimes to the Latin, in spite of the indignation of friends. There is something yet to be said on this point. In England, where the old household and monkish names adhere, they are sufficient for popular and poetic purposes, and the familiar use of scientific names seems an affectation. But here, where many native flowers have no popular names at all, and others are called confessedly by wrong ones,—where it really costs less trouble to use Latin names than English,—the affectation seems the other way. Think of the long list of wild-flowers where the Latin name is spontaneously used by all who speak of the flower: as, Arethusa, Aster, Cistus (after the fall of the cistus-flower), Clematis, Clethra, Geranium, Iris, Lobelia, Rhodora, Spiraea, Tiarella, Trientalis, and so on. Even those formed from proper names—the worst possible system of nomenclature—become tolerable at last, and we forget the godfather in the more attractive namesake. When the perso
f Professor Agassiz's new museum, the arethusa and the gentian, the cardinal-flower and the gaudy rhexia,—we who remember the last secret hiding-place of the rhodora in West Cambridge, of the yellow violet and the Viola debilis in Watertown, of the Convallaria trifolia near Fresh Pond, of the Hottonia beyond Wellington's Hill, of the Cornus florida in West Roxbury, of the Clintonia and the dwarf ginseng in Brookline,—we who have found in its one chosen nook the sacred Andromeda polifolia of Linnaeus. Now vanished almost or wholly from city suburbs, these fragile creatures still linger in more rural parts of Massachusetts; but they are doomed everywhere, unconsciously, yet irresistibly; while others still more shy, as the Linnaea, the yellow Cypripedium, the early pink Azalea, and the delicate white Corydalis or Dutchman's breeches, are being chased into the very recesses of the Green and White Mountains. The relics of the Indian tribes are supported by the Legislature at Martha's Vin
March 27th (search for this): chapter 1
hat of England and the poets. Yet it is easy to exaggerate this difference. Even so good an observer as Wilson Flagg is betrayed into saying that the epigaea and hepatica seldom make their appearance until after the middle of April in Massachusetts, and that it is not unusual for the whole month of April to pass away without producing more than two or three species of wild-flowers. But I have formerly found the hepatica in bloom at Mount Auburn, for three successive years, on the twenty-seventh of March; and it has since been found in Worcester on the seventeenth, and in Danvers on the twelfth. The May-flower is usually as early, though the more gradual expansion of the buds renders it less easy to give dates. And there are nearly twenty species which I have noted, for five or six years together, as found always before May-Day, and therefore properly to be assigned to April. The list includes bloodroot, cowslip, houstonia, saxifrage, dandelion, chickweed, cinquefoil, strawberry,
April 15th (search for this): chapter 1
season, so far as the wild-flowers give evidence,—though snowdrops are sometimes found in February even here. But, on the other hand, it would appear that, though a larger number of birds winter in England than in Massachusetts, yet the return of those which migrate is actually earlier among us. From journals which were kept during sixty years in England, and an abstract of which is printed in Hone's Every-Day Book, it appears that only two birds of passage revisit England before the fifteenth of April, and only thirteen more before the first of May; while with us the song-sparrow, the bluebird, and the red-winged blackbird appear about the first of March, and a good many more by the middle of April. This is a peculiarity of the English spring which I have never seen explained or even mentioned. After the epigaea and the hepatica have blossomed, there is a slight pause among the wild-flowers,—these two forming a distinct prologue for their annual drama, as the brilliant witch-haz
ht be tempted to think that we owe this appreciation, like some other good things, to the participation of woman in literature. But, on the other hand, it must be remembered that the voluminous Duchess of Newcastle, in her Ode on Melancholy, describes among the symbols of hopeless gloom the still moonshine night and a mill where rushing waters run about,—the sweetest natural images. In our own country, the early explorers seemed to find only horror in its woods and waterfalls. Josselyn, in 1672, could only describe the summer splendor of the White Mountain region as dauntingly terrible, being full of rocky hills, as thick as molehills in a meadow, and full of infinite thick woods. Father Hennepin spoke of Niagara, in the narrative still quoted in the guide-books, as a frightful cataract; and honest John Adams could find no better name than horrid chasm for the picturesque gulf at Egg Rock, where he first saw the sea-anemone. But we are lingering too long, perhaps, with this swe
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