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odland dim, And tinted sunset sea. For not in mockery dost Thou fill Our earth with light and grace; Thou hid'st no dark and cruel will Behind Thy smiling face! 1849. Autumn thoughts. gone hath the Spring, with all its flowers, And gone the Summer's pomp and show, And Autumn, in his leafless bowers, Is waiting for the Winaiting for the snow; No hope is thine of sunnier hours, Thy Winter shall no more depart; No Spring revive thy wasted flowers, Nor Summer warm thy frozen heart. 1849. On receiving an eagle's quill from lake Superior. all day the darkness and the cold Upon my heart have lain, Like shadows on the winter sky, Like frost upon The warm heart of the dove! So, when in darkness sleeps the vale Where still the blind bird clings, The sunshine of the upper sky Shall glitter on thy wings! 1849. April. The spring comes slowly up this way. Christabel. Tis the noon of the spring-time, yet never a bird In the wind-shaken elm or the maple is heard;
n entrance to her loving heart Through the sharp discipline of pain. Forever from the Hand that takes One blessing from us others fall; And, soon or late, our Father makes His perfect recompense to all! Oh, watched by Silence and the Night, And folded in the strong embrace Of the great mountains, with the light Of the sweet heavens upon thy face, Lake of the Northland! keep thy dower Of beauty still, and while above Thy solemn mountains speak of power, Be thou the mirror of God's love. 1853. The fruit-gift. last night, just as the tints of autumn's sky Of sunset faded from our hills and streams, I sat, vague listening, lapped in twilight dreams, To the leaf's rustle, and the cricket's cry. Then, like that basket, flush with summer fruit, Dropped by the angels at the Prophet's foot, Came, unannounced, a gift of clustered sweetness, Full-orbed, and glowing with the prisoned beams Of summery suns, and rounded to completeness By kisses of the south-wind and the dew. Thrilled wi
November 11th (search for this): chapter 1
I bent, I thought of lives thus lowly, clogged and pent, Which yet find room, Through care and cumber, coldness and decay, To lend a sweetness to the ungenial day And make the sad earth happier for their bloom. 1879. St. Martin's summer. This name in some parts of Europe is given to the season we call Indian Summer, in honor of the good St. Martin. The title of the poem was suggested by the fact that the day it refers to was the exact date of that set apart to the Saint, the 11th of November. though flowers have perished at the touch Of Frost, the early comer, I hail the season loved so much, The good St. Martin's summer. O gracious morn, with rose-red dawn, And thin moon curving o'er it! The old year's darling, latest born, More loved than all before it! How flamed the sunrise through the pines How stretched the birchen shadows, Braiding in long, wind-wavered lines The westward sloping meadows! The sweet day, opening as a flower Unfolds its petals tender, Renews for u
hich yet find room, Through care and cumber, coldness and decay, To lend a sweetness to the ungenial day And make the sad earth happier for their bloom. 1879. St. Martin's summer. This name in some parts of Europe is given to the season we call Indian Summer, in honor of the good St. Martin. The title of the poem was suggested by the fact that the day it refers to was the exact date of that set apart to the Saint, the 11th of November. though flowers have perished at the touch Of Frost, the early comer, I hail the season loved so much, The good St. Martin's summer. O gracious morn, with rose-red dawn, And thin moon curving o'er it! The old year's darling, latest born, More loved than all before it! How flamed the sunrise through the pines How stretched the birchen shadows, Braiding in long, wind-wavered lines The westward sloping meadows! The sweet day, opening as a flower Unfolds its petals tender, Renews for us at noontide's hour The summer's tempered splendor. The
e. Viii. Yet, on life's current, he who drifts Is one with him who rows or sails; And he who wanders widest lifts No more of beauty's jealous veils Than he who from his doorway sees The miracle of flowers and trees, Feels the warm Orient in the noonday air, And from cloud minarets hears the sunset call to prayer! IX. The eye may well be glad that looks Where Pharpar's fountains rise and fall; But he who sees his native brooks Laugh in the sun, has seen them all. The marble palaces of Ind Rise round him in the snow and wind; From his lone sweetbrier Persian Hafiz smiles, And Rome's cathedral awe is in his woodland aisles. X. And thus it is my fancy blends The near at hand and far and rare; And while the same horizon bends Above the silver-sprinkled hair Which flashed the light of morning skies On childhood's wonder-lifted eyes, Within its round of sea and skyand field, Earth wheels with all her zones, the Kosmos stands revealed. Xi. And thus the sick man on his bed, Th
nd diamond flowers! The flora of the mystic mine-world Around me lifts on crystal stems The petals of its clustered gems! What miracle of weird transforming In this wild work of frost and light, This glimpse of glory infinite! This foregleam of the Holy City Like that to him of Patmos given, The white bride coming down from heaven! How flash the ranked and mail-clad alders, Through what sharp-glancing spears of reeds The brook its muffled water leads! Yon maple, like the bush of Horeb, Burns unconsumed: a white, cold fire Rays out from every grassy spire. Each slender rush and spike of mullein, Low laurel shrub and drooping fern, Transfigured, blaze where'er I turn. How yonder Ethiopian hemlock Crowned with his glistening circlet stands! What jewels light his swarthy hands! Here, where the forest opens southward, Between its hospitable pines, As through a door, the warm sun shines. The jewels loosen on the branches, And lightly, as the soft winds blow, Fall, tinkling, on the
ing over Baca's vale, Repeats the old-time miracle, And makes the desert-land a well. 1874. Sunset on the Bearcamp. A gold fringe on the purpling hem Of hills the river runs, As down its long, green valley falls The last of summer's suns. Along its tawny gravel-bed Broad-flowing, swift, and still, As if its meadow levels felt The hurry of the hill, Noiseless between its banks of green From curve to curve it slips; The drowsy maple-shadows rest Like fingers on its lips. A waif from Carroll's wildest hills, Unstoried and unknown; The ursine legend of its name Prowls on its banks alone. Yet flowers as fair its slopes adorn As ever Yarrow knew, Or, under rainy Irish skies, By Spenser's Mulla grew; And through the gaps of leaning trees Its mountain cradle shows: The gold against the amethyst, The green against the rose. Touched by a light that hath no name, A glory never sung, Aloft on sky and mountain wall Are God's great pictures hung. How changed the summits vast and old! No
hills profane; These sunsets waste on vacant eyes The lavish splendor of the skies; Fashion and folly, misplaced here, Sigh for their natural atmosphere, And travelled pride the outlook scorn Of lesser heights than Matterhorn: But let me dream that hill and sky Of unseen beauty prophesy; And in these tinted lakes behold The trailing of the raiment fold Of that which, still eluding gaze, Allures to upward-tending ways, Whose footprints make, wherever found, Our common earth a holy ground. 1883. Sweet fern. the subtle power in perfume found Nor priest nor sibyl vainly learned; On Grecian shrine or Aztec mound No censer idly burned. That power the old-time worships knew, The Corybantes' frenzied dance, The Pythian priestess swooning through The wonderland of trance. And Nature holds, in wood and field, Her thousand sunlit censers still; To spells of flower and shrub we yield Against or with our will. I climbed a hill path strange and new With slow feet, pausing at each turn;
ughs, for whose loss the pines Moaned ceaseless overhead, the blossoming vines Lifted their glad surprise, While yet the bluebird smoothed in leafless trees His feathers ruffled by the chill sea-breeze, And snow-drifts lingered under April skies. As, pausing, o'er the lonely flower I bent, I thought of lives thus lowly, clogged and pent, Which yet find room, Through care and cumber, coldness and decay, To lend a sweetness to the ungenial day And make the sad earth happier for their bloom. 1879. St. Martin's summer. This name in some parts of Europe is given to the season we call Indian Summer, in honor of the good St. Martin. The title of the poem was suggested by the fact that the day it refers to was the exact date of that set apart to the Saint, the 11th of November. though flowers have perished at the touch Of Frost, the early comer, I hail the season loved so much, The good St. Martin's summer. O gracious morn, with rose-red dawn, And thin moon curving o'er it! The
om the Spring hath gone, For whom the flowers no longer blow, Who standest blighted and forlorn, Like Autumn waiting for the snow; No hope is thine of sunnier hours, Thy Winter shall no more depart; No Spring revive thy wasted flowers, Nor Summer warm thy frozen heart. 1849. On receiving an eagle's quill from lake Superior. all day the darkness and the cold Upon my heart have lain, Like shadows on the winter sky, Like frost upon the pane; But now my torpid fancy wakes, And, on thy Eagle's plume, Rides forth, like Sindbad on his bird, Or witch upon her broom! Below me roar the rocking pines, Before me spreads the lake Whose long and solemn-sounding waves Against the sunset break. I hear the wild Rice-Eater thresh The grain he has not sown; I see, with flashing scythe of fire, The prairie harvest mown! I hear the far-off voyager's horn; I see the Yankee's trail,— His foot on every mountain-pass, On every stream his sail. By forest, lake, and waterfall, I see his pedler sh
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