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Browsing named entities in a specific section of Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). Search the whole document.

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1846 AD (search for this): chapter 1.13
scape and their religious musings to the turmoil of idealism that stirred the youth of Massachusetts. He writes of the dandelion and the pine-tree, and his seasons are the riotous June or the Indian summer of Cambridge, his landscape that of Beaver Brook. All is descriptive or reflective; there is no narrative except when it is the mere text for sentiment and moral. Some union of art and morality, of Keats and Carlyle, Poe and Emerson—that was the poet's endeavour. He wrote to Briggs in 1846: Then I feel how great is the office of Poet, could I but even dare to hope to fill it. Then it seems as if my heart would break in pouring out one glorious song that should be the gospel of Reform, full of consolation and strength to the oppressed, yet falling gently and restoringly as dew on the withered youth—flowers of the oppressor. That way my madness lies. Scudder life ,Vol.I p.267. It is easy to smile at this youthful fervency, as Lowell himself smiled a year or two later
1848 AD (search for this): chapter 1.13
, Conversations on some of the old poets, in 1844. In December of this year he was married to the poetess Maria White. The nine years of their married life until her death in 1853 mark a distinct period in Lowell's literary work. He contributed constantly both prose and verse to various journals, at first largely for those of the anti-slavery propaganda; and the Mexican War gave the opportunity for The Biglow papers, the first of which appeared in The Boston Courier of 17 June, 1846. In 1848 appeared a second collection of poems, the completed Biglow papers, and The Fable for critics. Lowell had won, in both popular and critical regard, an assured place in what was already an important national literature. The fifteen months which the family spent in Europe in 1851-52 seem to have increased his desire to widen the range of his poetry, but the ambitions that thronged with the return to America were interrupted by the death of his wife. A period of uncertainty followed his berea
1850 AD (search for this): chapter 1.13
n clever journalism; but the best have become a lasting part of our popular literature. If this is due in part to their vernacular homeliness, and in part to their wit, it is also due to the moral fire of their democracy. As Horace Scudder insisted, there is a connection between them and another popular success of a different kind, The vision of Sir Launfal. There it is the holy zeal which attacks slavery issuing in this fable of a beautiful charity. Scudder. Life. Vol. L p. 268. In 1850 Lowell wrote to Briggs: I begin to feel that I must enter a new year of apprenticeship. My poems have thus far had a regular and natural sequence. First, Love and the mere happiness of existence beginning to be conscious of itself, then Freedom—both being the sides which Beauty presented to me—and now I am going to try more after Beauty herself. Next, if I live, I shall present Life as I have seen it. But, as often, Life proved a jealous mistress who would not yield the field to Beauty
December (search for this): chapter 1.13
occupations. Born in 1819 in Cambridge, Massachusetts, in the colonial house where he was to spend most of his life, he went to Harvard College, studied law—and abandoned it for a career of letters. He contributed verses and sketches to the magazines, edited a few numbers of an unsuccessful literary journal, The pioneer, brought out his first volume of poems, A Year's Life, in 1841, a second volume in 1843, and a collection of essays, Conversations on some of the old poets, in 1844. In December of this year he was married to the poetess Maria White. The nine years of their married life until her death in 1853 mark a distinct period in Lowell's literary work. He contributed constantly both prose and verse to various journals, at first largely for those of the anti-slavery propaganda; and the Mexican War gave the opportunity for The Biglow papers, the first of which appeared in The Boston Courier of 17 June, 1846. In 1848 appeared a second collection of poems, the completed Biglo
1840 AD (search for this): chapter 1.13
record of the intimate association of the high-minded. His work as a man of letters may be considered most readily by the main divisions of verse and prose; but the separation is not always significant. The poetry is mostly bounded by the years 1840 and 1870, and the best of the essays by 1860 and 1890; but there is hardly a year of his half century which did not see both prose and verse. Nor can the subject matter be divided by the two forms, for both require attention from the historian of either the literary or the political progress of the half-century. Both respond to the changing events of his own life, and to the greater changes that transformed the nation of 1840 into that of 1890. Lowell's youth was spent among books. Before he left college he had become a wide if desultory reader, and the study of law failed to detach him from what was to become a life-long devotion to the easy chair and the library. To the inheritance of English blood, law, language, and religion t
1841 AD (search for this): chapter 1.13
ve man of letters. The briefest summary of the events of his life will indicate the variety of his interests and occupations. Born in 1819 in Cambridge, Massachusetts, in the colonial house where he was to spend most of his life, he went to Harvard College, studied law—and abandoned it for a career of letters. He contributed verses and sketches to the magazines, edited a few numbers of an unsuccessful literary journal, The pioneer, brought out his first volume of poems, A Year's Life, in 1841, a second volume in 1843, and a collection of essays, Conversations on some of the old poets, in 1844. In December of this year he was married to the poetess Maria White. The nine years of their married life until her death in 1853 mark a distinct period in Lowell's literary work. He contributed constantly both prose and verse to various journals, at first largely for those of the anti-slavery propaganda; and the Mexican War gave the opportunity for The Biglow papers, the first of which
1860 AD (search for this): chapter 1.13
ter. For Lowell's letters, in addition to their annals of his personal experiences and friendships, contribute something to literature and history which perhaps has ceased with the day of the typewriter—a record of the intimate association of the high-minded. His work as a man of letters may be considered most readily by the main divisions of verse and prose; but the separation is not always significant. The poetry is mostly bounded by the years 1840 and 1870, and the best of the essays by 1860 and 1890; but there is hardly a year of his half century which did not see both prose and verse. Nor can the subject matter be divided by the two forms, for both require attention from the historian of either the literary or the political progress of the half-century. Both respond to the changing events of his own life, and to the greater changes that transformed the nation of 1840 into that of 1890. Lowell's youth was spent among books. Before he left college he had become a wide if de
1861 AD (search for this): chapter 1.13
ise, The Atlantic monthly, in 1857 gave further opportunity for his prose. Lowell was editor of the new magazine for two years and a regular contributor of reviews and articles until 1863, when he joined with Charles Eliot Norton in editing The North American review. For the next dozen years his essays both political and literary appeared mainly in this review. During the Civil War, Lowell's chief contributions to poetry were the new series of Biglow papers which began in the Atlantic in 1861. It was not until the war was over that the great themes of national triumph through sacrifice called forth the four memorial odes. Miscellaneous verse of the preceding twenty years was collected in Under the Willows (1868); but the odes and longer poems, as The Cathedral (1870), Agassiz (1874), best represent both the emotional impulses that followed the war and the maturity of Lowell's art. The political interests which had engaged much of his prose writing before and during the war ha
1863 AD (search for this): chapter 1.13
fe in Elmwood. His professorship turned his mind to criticism and scholarship, but did not hasten that stronger poetic flight for which he had felt himself preparing. A brief-lived literary magazine, Putnam's monthly, in 1853-54 had given place to one or two of his best known essays, and a new literary enterprise, The Atlantic monthly, in 1857 gave further opportunity for his prose. Lowell was editor of the new magazine for two years and a regular contributor of reviews and articles until 1863, when he joined with Charles Eliot Norton in editing The North American review. For the next dozen years his essays both political and literary appeared mainly in this review. During the Civil War, Lowell's chief contributions to poetry were the new series of Biglow papers which began in the Atlantic in 1861. It was not until the war was over that the great themes of national triumph through sacrifice called forth the four memorial odes. Miscellaneous verse of the preceding twenty years
1851 AD (search for this): chapter 1.13
to various journals, at first largely for those of the anti-slavery propaganda; and the Mexican War gave the opportunity for The Biglow papers, the first of which appeared in The Boston Courier of 17 June, 1846. In 1848 appeared a second collection of poems, the completed Biglow papers, and The Fable for critics. Lowell had won, in both popular and critical regard, an assured place in what was already an important national literature. The fifteen months which the family spent in Europe in 1851-52 seem to have increased his desire to widen the range of his poetry, but the ambitions that thronged with the return to America were interrupted by the death of his wife. A period of uncertainty followed his bereavement, and circumstances gave him a new occupation. In 1855 he delivered in Boston a course of twelve lectures (unpublished) on English poetry, and as a result of their success was appointed to succeed Longfellow as Smith Professor of the French and Spanish Languages and Liter
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