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Towards the end of his life, he publicly vowed, that if his power in the state was securely re-established, he would, in the spectacles which he intended to exhibit in honour of his success, include a performance upon organs, 1 as well as upon flutes and bagpipes, and, on the last day of the games, would act in the play, and take the part of Turnus, as we find it in Virgil. And there are some who say, that he put to death the player Paris as a dangerous rival.
1 See c. xli.
Suetonius: The Lives of the Twelve Caesars; An English Translation, Augmented with the Biographies of Contemporary Statesmen, Orators, Poets, and Other Associates. Suetonius. Publishing Editor. J. Eugene Reed. Alexander Thomson. Philadelphia. Gebbie & Co. 1889.
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