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Browsing named entities in A Dictionary of Greek and Roman biography and mythology (ed. William Smith). You can also browse the collection for 350 BC or search for 350 BC in all documents.
Your search returned 25 results in 23 document sections:
Diophantus
2. An Attic orator and contemporary of Demosthenes, with whom he opposed the Macedonian party.
He is mentioned as one of the most eminent speakers of the time. (Dem. de Fals. Leg. pp. 368, 403, 436, c. Lept. p. 498; Harpocrat. and Suid. s. v. *Mela/nwpos.) Reiske, in the Index to Demosthenes, believes him to be the same as the author of the psephisma mentioned by Demosthenes (de Fals. Leg. p. 368), and also identical with the one who, according to Diodorus (16.48), assisted the king of Persia in his Egyptian war, in B. C. 350.
La'crates
(*Lakra/ths).
1. A general sent out by the Thebans, at the head of 1000 heavyarmed troops, to assist Artaxerxes Ochus in his invasion of Egypt, B. C. 350.
He commanded that division of the royal forces sent against Pelusium. (Diod. 16.44, 49
A Dictionary of Greek and Roman biography and mythology (ed. William Smith), (search)
Olophirnes
(*)Olofernhs, *)Opofe/rnhs, *)Op)p(ofe/rnhs), or OROPHENES.
1. Son of Ariamnies I., brother of Ariarathes I., and father of Ariarathes II., kings of Cappadocia.
He was much beloved by his brother, who advanced him to the highest posts, and sent him to aid Artaxerxes III. (Ochus) in his subjugation of Egypt, B. C. 350. From this expedition Olophernes returned home, loaded by the Persian king with great rewards for his services, and died in his native land. His brother Ariarathes adopted his elder son of the same name. Iie left also a younger son, named Aryses or Arysis. (Diod. Eel. 3; Phot. Bibl. 244
Pam'philus
(*Pa/mfilos), artists.
1. Of Amphipolis (Suid. s. v. *)Apellh=s ; Macedo natione, Plin.), one of the most distinguished of the Greek painters, flourished about Ol 97-107, B. C. 390-350.
He was the disciple of Eupompus, the founder of the Sicyonian school of painting [EUPOMPUS], for the establishment of which, however, Pamphillus seems to have done much more than even Eupompus himself. (Plin. H.N. 35.10. s. 36.7, 11. s. 40; Plut. Arat. 13). Of his own works we have most scanty accounts; but as a teacher of his art he was surpassed by none of the ancient masters.
According to Pliny, he was the first artist who possessed a thorough acquaintance with all branches of knowledge, especially arithmetic and geometry, without which he used to say that the art could not be perfected. All science, therefore, which could in any way contribute to form the perfect artist, was included in his course of instruction, which extended over ten years, and for which the fee was no less than a