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The Cambridge of eighteen hundred and ninety-six: a picture of the city and its industries fifty years after its incorporation (ed. Arthur Gilman) 4 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 2 0 Browse Search
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Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1, Chapter 5: travel 1843-1844; aet. 24-25 (search)
teresting to the Chevalier than theatre or picture-gallery. There were even expeditions to darker places, when Julia and Annie must stay at home. Dr. Howe's affair was with all sorts and conditions of men, and the creator of Joe and Oliver Twist, the child of the Marshalsea, could show him things that no one else could. The following note, in Dickens's unmistakable handwriting, shows how these expeditions were managed, and how he enjoyed them:-- My Dear Howe, Drive to-night to St. Giles's Church. Be there at half-past 11--and wait. One of Tracey's people will put his head into the coach after a Venetian and mysterious fashion, and breathe your name. Follow that man. Trust him to the death. So no more at present from The Mask. Ninth June, 1843. Horace Mann was of the party on most of these investigations. Beside dinners and evening parties, there were breakfasts, with Richard Monckton Milnes (afterward Lord Houghton), with Samuel Rogers,--who gave them plovers'