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Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 22 0 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 2 0 Browse Search
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Harper's Encyclopedia of United States History (ed. Benson Lossing), Johnston, Richard Malcolm 1822-1898 (search)
Johnston, Richard Malcolm 1822-1898 Author; born in Powelton, Ga., March 8, 1822; graduated at Mercer University, Georgia, in 1841, and a year later was admitted to the bar. In 1857-61 he was Professor of Literature in the University of Georgia. He was an officer in the Confederate army throughout the Civil War. In 1867 he moved to Baltimore, and engaged in authorship. His works include Georgia sketches; Dukesborough tales; Historical sketch of English Literature (with W. H. Browne); Old mark Langston; Two Gray Tourists; Mr. Absalom Billingslea, and other Georgia folk; Ogeechee cross Firings; Widow Guthrie; The Primes and their neighbors; Studies: literary and social; Old times in Middle Georgia; Pearse Amerson's will, etc. He died in Baltimore, Md., Sept. 23, 1898.
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 4: the New South: Lanier (search)
oa de war had not yet become for the North a charming memory from a land of romance. Richard Malcolm Johnston (1822-98） See also Beck III. Chap. VI. in his various writings evinces an equal dev They form a sympathetic record of the ways and characters of that humble but picturesque era. Johnston, though a slave-holder, was unwaveringly opposed to secession and the war. Nevertheless, reduceillery of the Confederate States. When the guns were stilled by the surrender of Lee, he, like Johnston, joined that numerous caravan which, seeing no hope in its own section, sought fortune in other serially in The Norfolk landmark, show much the same fond longing for the past which charms in Johnston and Bagby. Hill in Georgia fought for the preservation of national unity even in the secessionn earlier generation than that of the Reconstruction period. Those who did not, like Bagby and Johnston, sing the glories of an aristocratic civilization resting on slavery, were at least imbued, lik
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 5: dialect writers (search)
have produced the most representative humorists of the South. Among those who were born or who at some time lived in this part of Georgia may be mentioned A. B. Longstreet, See also Book II, Chap. XIX. the author of Georgia scenes; Richard Malcolm Johnston, See also Book III. Chaos. IV and VI. the author of The Dukesborough tales; William Tappan Thompson, See also Book II, Chap. XIX. the author of Major Jones's courtship; and Harry Stillwell Edwards, the author of Two Runaways andish grammar, Part II, Syntax, First Volume (Heidelberg, 1914), pages 47-48. He compares it with East Anglian you together, used as a kind of plural of you. Notable writers of the Southern dialect besides Harris, Page, and Cable, are Richard Malcolm Johnston, See also Book III, Chaps. IV and VI. Charles Egbert Craddock, Ibid., Chap. VI. and O. Henry. Ibid An analogy may be noted, by way of retrospect, between the three dialects of Chaucer's time and the three that, with many modifica
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 6: the short story (search)
et's revelations of life in the canebrakes of Arkansas; and it lingered over the Old South before the war as revealed by Johnston, and Harris, and Page. Never was movement launched with more impetus. No sooner had The luck of Roaring camp reached knowledge of a native, not as an outside spectator and an exhibitor like Miss Murfree. The same may be said of Richard Malcolm Johnston (1822-98), whose Dukesborough tales, dealing with rural life in the Georgia of his youth, first were given to Northern readers in 1883. The evolution of Johnston's art is an interesting study. He was inspired not by Irving or by any of the Northerners, but by Longstreet, See also Book II, Chap. XIX. whose brutally realistic Georgia scenes had appeared as early as 1835. In 1857 Johnston had written The Goose pond School and had followed it with other realistic studies for The Southern magazine. Later they were gathered for a Southern edition entitled Georgia sketches, and still later, in 1871, he