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Baron de Jomini, Summary of the Art of War, or a New Analytical Compend of the Principle Combinations of Strategy, of Grand Tactics and of Military Policy. (ed. Major O. F. Winship , Assistant Adjutant General , U. S. A., Lieut. E. E. McLean , 1st Infantry, U. S. A.) 378 0 Browse Search
Hon. J. L. M. Curry , LL.D., William Robertson Garrett , A. M. , Ph.D., Confederate Military History, a library of Confederate States Military History: Volume 1.1, Legal Justification of the South in secession, The South as a factor in the territorial expansion of the United States (ed. Clement Anselm Evans) 106 0 Browse Search
Emil Schalk, A. O., The Art of War written expressly for and dedicated to the U.S. Volunteer Army. 104 0 Browse Search
The Daily Dispatch: September 19, 1864., [Electronic resource] 66 0 Browse Search
William Swinton, Campaigns of the Army of the Potomac 46 0 Browse Search
John Esten Cooke, Wearing of the Gray: Being Personal Portraits, Scenes, and Adventures of War. 36 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 5. (ed. Frank Moore) 32 0 Browse Search
The Annals of the Civil War Written by Leading Participants North and South (ed. Alexander Kelly McClure) 28 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 9. (ed. Frank Moore) 26 0 Browse Search
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 1: The Opening Battles. (ed. Francis Trevelyan Miller) 26 0 Browse Search
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Browsing named entities in The writings of John Greenleaf Whittier, Volume 5. (ed. John Greenleaf Whittier). You can also browse the collection for Napoleon or search for Napoleon in all documents.

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The writings of John Greenleaf Whittier, Volume 5. (ed. John Greenleaf Whittier), Tales and Sketches (search)
fession has given her something of that ready estimate of character, that quick and keen appreciation of the capacity, habits, and wishes of her visitors, which so remarkably distinguished the late famous Madame Le Normand, of Paris; and if that old squalid sorceress, in her cramped Parisian attic, redolent of garlic and bestrewn with the greasy implements of sorry housewifery, was, as has been affirmed, consulted by such personages as the fair Josephine Beauharnois, and the man of destiny, Napoleon himself, is it strange that the desire to lift the veil of the great mystery before us should overcome in some degree our peculiar and most republican prejudice against color, and reconcile us to the disagreeable necessity of looking at futurity through a black medium? Some forty years ago, on the banks of the pleasant little creek separating Berwick, in Maine, from Somersworth, in New Hampshire, within sight of my mother's home, dwelt a plain, sedate member of the society of Friends, na