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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 23 1 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 16 0 Browse Search
Thomas Wentworth Higginson, Atlantic Essays 10 0 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 8 0 Browse Search
Frank Preston Stearns, Cambridge Sketches 4 0 Browse Search
Mary Thacher Higginson, Thomas Wentworth Higginson: the story of his life 4 0 Browse Search
Thomas Wentworth Higginson, Oldport days, with ten heliotype illustrations from views taken in Newport, R. I., expressly for this work. 2 0 Browse Search
Thomas Wentworth Higginson, Irene E. Jerome., In a fair country 2 0 Browse Search
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 2 2 0 Browse Search
Henry Morton Stanley, Dorothy Stanley, The Autobiography of Sir Henry Morton Stanley 2 0 Browse Search
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Browsing named entities in Thomas Wentworth Higginson, Oldport days, with ten heliotype illustrations from views taken in Newport, R. I., expressly for this work.. You can also browse the collection for Ruskin or search for Ruskin in all documents.

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Thomas Wentworth Higginson, Oldport days, with ten heliotype illustrations from views taken in Newport, R. I., expressly for this work., In a wherry. (search)
e tenderer in their dealings with what is intrusted to them than is the air. Fire, at least, destroys what it has ruined; earth is warm and loving, and it moreover conceals; water is at least caressing,--it laps the greater part of this wreck with protecting waves, covers with sea-weeds all that it can reach, and protects with incrusting shells. Even beyond its grasp it tosses soft pendants of moss that twine like vine-tendrils, or sway in the wind. It mellows harsh colors into beauty, and Ruskin grows eloquent over the wave-washed tint of some tarry, weatherbeaten boat. But air is pitiless: it dries and stiffens all outline, and bleaches all color away, so that you can hardly tell whether these ribs belonged to a ship or an elephant; and yet there is a certain cold purity in the shapes it leaves, and the birds it sends to perch upon these timbers are a more graceful company than lobsters or fishes. After all, there is something sublime in that sepulture of the Parsees, who erect n