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Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 58 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 54 0 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 52 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 42 0 Browse Search
Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 42 0 Browse Search
James Russell Lowell, Among my books 32 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 28 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 26 0 Browse Search
Thomas Wentworth Higginson, Margaret Fuller Ossoli 26 0 Browse Search
Frank Preston Stearns, Cambridge Sketches 20 0 Browse Search
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Browsing named entities in Medford Historical Society Papers, Volume 16.. You can also browse the collection for Italian or search for Italian in all documents.

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Medford Historical Society Papers, Volume 16., Distinguished guests and residents of Medford. (search)
in his diary April 13, 1843,Saw schoolmaster Thomas Starr King,— capital fellow, only nineteen. Taught school three years. Supports his mother. He went into Walker's three courses of lectures, and took good notes. Reads French, Spanish, Latin, Italian, a little Greek and begins German. He is a good listener. He resigned his position August 1, 1843. In 1845, at the invitation of the citizens of Medford, he delivered the Fourth of July oration in the Unitarian Church. Service in our schny years he returned to America in 1860, and from the following item in the Art journal, May, 1875, we may infer that Medford was placed under contribution for art's sake: Brown's Sunrise, Genoa [1875], is one of those gorgeous, idealized, hazy Italian scenes, for which this artist is so much noted, in the vein of Turner. Is it not something to have had with us an artist whose pictures are to be seen in the Boston Art Club and Boston Athenaeum, and were found in the homes of Governor Clafli