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the great day of the week for the school,--a day of mingled laughter and tears.
The moment her quick, firm step is heard in the hall of the building, there is a solemn silence.
She passes rapidly round in review, giving to each pupil's work a penetrating glance and word.
Above all she cannot endure bad drawing, and where a scholar repeats her mistakes she is sometimes very severe, telling her that she had better go home to her mother and learn to make bread, or some cutting remark of the kind; which, however, a moment after is followed by some excessively droll and good-natured speech, that dries up the tears of the poor girl, and sets her laughing with the rest.
Upon her great picture of the “Horse-fair,” Rosa Bonheur spent eighteen months of the most conscientious and exhausting labor.
Dressed in a blouse, she went twice a week to the horse-market, studying the animals, and, in fact, their Normandy owners and grooms, the portraits of some of whom she has spiritedly painted.
This picture was bought by the French government, but afterwards fell again into Mademoiselle Bonheur's hands, and she sold it to M. Gambart for forty thousand francs.
It was purchased by William P. Wright of New Jersey, and is now owned by A. T. Stewart.
Rosa Bonheur has received immense sums for her pictures, and has, indeed, but to offer her paintings and her portfolio of sketches to the public, to become wealthy; but she is not greedy of money, and is so generous in her gifts to relatives and charitable objects, that she does not. accumulate property.
She has been known to send to the Mont de Piete the valuable gold medals that she bas received in order to raise funds to assist fellow-artists.
She supports two aged females, who were formerly her servants.
Among many stories of her liberality we mention
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