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Thomas Wentworth Higginson, Henry Wadsworth Longfellow 227 5 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 144 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 112 0 Browse Search
Thomas Wentworth Higginson, John Greenleaf Whittier 56 0 Browse Search
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters 50 0 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 26 0 Browse Search
Mary Thacher Higginson, Thomas Wentworth Higginson: the story of his life 24 4 Browse Search
Cambridge sketches (ed. Estelle M. H. Merrill) 12 0 Browse Search
Frank Preston Stearns, Cambridge Sketches 11 1 Browse Search
Thomas Wentworth Higginson, Massachusetts in the Army and Navy during the war of 1861-1865, vol. 2 8 0 Browse Search
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r fighting, made Andrew Jackson a hero as indubitably as if he had defeated Napoleon at Waterloo. It gave him the Presidency. The analogy holds in literature. Certain expressions of American sentiment or conviction have served to summarize or to clarify the spirit of the nation. The authors of these productions have frequently won the recognition and affection of their contemporaries by means of prose and verse quite unsuited to sustain the test of severe critical standards. Neither Longfellow's Excelsior nor Poe's Bells nor Whittier's Maud Muller is among the best poems of the three writers in question, yet there was something in each of these productions which caught the fancy of a whole American generation. It expressed one phase of the national mind in a given historical period. The historian of literature is bound to take account of this question of literary vogue, as it is highly significant of the temper of successive generations in any country. But it is of peculia
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 2: the first colonial literature (search)
nial writings of the seventeenth century, those that have lost least of their interest through the lapse of years are narratives of struggles with the Indians. The image of the bloody savage has always hovered in the background of the American imagination. Our boys and girls have played Indian from the beginning, and the actual Indian is still found, as for three hundred years past, upon the frontier fringe of our civilization. Novelists like Cooper, historians like Parkman, poets like Longfellow, have dealt with the rich material offered by the life of the aborigines, but the long series begins with the scribbled story of colonists. Here are comedy and tragedy, plain narratives of trading and travel, missionary zeal and triumphs; then the inevitable alienation of the two races and the doom of the native. The noble savage note may be found in John Rolfe, the husband of Pocahontas, with whom, poor fellow, his best thoughts are so intangled and enthralled. Other Virginians, like
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 3: the third and fourth generation (search)
Christi Americana, treating the history of New England from 1620 to 1698, was published in a tall London folio of nearly 800 pages in 1702. It is divided into seven books, and proceeds, by methods entirely unique, to tell of Pilgrim and Puritan divines and governors, of Harvard College, of the churches of New England, of marvelous events, of Indian wars; and in general to justify, as only a member of the Mather dynasty could justify, the ways of God to Boston men. Hawthorne and Whittier, Longfellow and Lowell knew this book well and found much honey in the vast carcass. To have had four such readers and a biographer like Barrett Wendell must be gratifying to Cotton Mather in Paradise. The Diary of Mather's fellow-townsman Judge Samuel Sewall has been read more generally in recent years than anything written by Mather himself. It was begun in 1673, nine years earlier than the first entry in Mather's Diary, and it ends in 1729, while Mather's closes in 1724. As a picture of every
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 5: the Knickerbocker group (search)
s were covering their stalls with Cooper's The last of the Mohicans. Irving, Cooper, and Bryant are thus the pioneers in a new phase of American literary activity, often called, for convenience in labeling, the Knickerbocker Group because of the identification of these men with New York. And close behind these leaders come a younger company, destined likewise, in the shy boyish words of Hawthorne, one of the number, to write books that would be read in England. For by 1826 Hawthorne and Longfellow were out of college and were trying to learn to write. Ticknor, Prescott, and Bancroft, somewhat older men, were settling to their great tasks. Emerson was entering upon his duties as a minister. Edgar Allan Poe, at that University of Virginia which Jefferson had just founded, was doubtless revising Tamerlane and other poems which he was to publish in Boston in the following year. Holmes was a Harvard undergraduate. Garrison had just printed Whittier's first published poem in the New
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters, Chapter 7: romance, poetry, and history (search)
te Calendar, was graduated at Bowdoin, with Longfellow, in the class of 1825, and returned to Saleme his own. A college classmate of Henry Wadsworth Longfellow summed up the Portland boy's charact of his own people. When Couper's statue of Longfellow was dedicated in Washington, Hamilton Mabie s and the continental roll of its rivers. Longfellow's poetic service to his countrymen has thus in verse-witness the Tales of a Wayside Inn-Longfellow was not by nature a dramatist, and his trilo, but the confession of a lack of regard for Longfellow's verse must often be recognized as a confesr-experienced people who affect to patronize Longfellow assume toward John Greenleaf Whittier an airtherStocking. Whittier knew that his friend Longfellow was a better artist than himself, and he als, as more perfect artists like Hawthorne and Longfellow could never have done, the subtleties and potitute lectures in Boston, and was appointed Longfellow's successor at Harvard. He went to Europe a[5 more...]
m his father, Walter — was four, the family moved to Brooklyn. The boy had scanty schooling, and by the time he was twenty had tried type-setting, teaching, and editing a country newspaper on Long Island. He was a big, dark-haired fellow, sensitive, emotional, extraordinarily impressible. The next sixteen years were full of happy vagrancy. At twenty-two he was editing a paper in New York, and furnishing short stories to the Democratic review, a literary journal which numbered Bryant, Longfellow, Whittier, Poe, Hawthorne, and Thoreau among its contributors. He wrote a novel on temperance, mostly in the reading-room of Tammany Hall, and tried here and there an experiment in free verse. He was in love with the pavements of New York and the Brooklyn ferry-boats, in love with Italian opera and with long tramps over Long Island. He left his position on The Brooklyn Eagle and wandered south to New Orleans. By and by he drifted back 199 to New York, tried lecturing, worked at the ca
y. He was an expert in virulent denunciation, passionately unfair beneath his mask of conversational decorum, an aristocratic demagogue. He is still distrusted and hated by the Brahmin class of his own city, still adored by the children and grandchildren of slaves. Charles Sumner, like Edward Everett, seems sinking into popular oblivion, in spite of the statues and portraits and massive volumes of erudite and caustic and high-minded orations. He may be seen at his best in such books as Longfellow's Journal and correspondence and the Life and letters of George Ticknor. There one has a pleasant picture of a booklover, traveler, and friend. But in his public speech he was arrogant, unsympathetic, domineering. Sumner is my idea of a bishop, said Lincoln tentatively. There are bishops and bishops, however, and if Henry Ward Beecher, whom Lincoln and hosts of other Americans admired, had only belonged to the Church of England, what an admirable Victorian bishop he might have made! P
he was ever an alien. No poet of the new era has won the national recognition enjoyed by the veterans. It will be recalled that Bryant survived until 1878, Longfellow and Emerson until 1882, Lowell until 1891, Whittier and Whitman until 1892, and Holmes until 1894. Compared with these men the younger writers of verse seemed o mention but half a dozen distinguished names out of a larger company — and to suggest that James Whitcomb Riley, more completely than any American poet since Longfellow, succeeded in expressing the actual poetic feelings of the men and women who composed his immense audience. Riley, like Aldrich, went to school to Herrick, Keats, Tennyson, and Longfellow, but when he began writing newspaper verse in his native Indiana he was guided by two impulses which gave individuality to his work. I was always trying to write of the kind of people I knew, and especially to write verse that I could read just as if it were spoken for the first time. The first impul
Liberator, the, 137, 217, 218 Library of American biography, 176 Life on the Mississippi, Clemens 237 Ligeia, Poe 193 Lincoln, Abraham, recognizes uncertainty in the nation, 2; would have approved Winthrop, 29; address at Cooper Union (1860), 104-105; quoted, 155; as a writer of liberty, 208; character and writings, 226-233; typically American, 265 Lionel Lincoln, Cooper 98 Literati, Pope 107 Little women, Alcott 140 London, Jack, 243-44 London in 1724, 54-56 Longfellow, H. W., in 1826, 89; attitude toward Transcendentalism, 143; life and writings, 152-57; died (1882), 255; disparagement of, 267 Longstreet, A. B., 245 Louisiana Purchase, 88 Lowell, J. R., in 1826, 90; attitude toward Transcendentalism, 143; life and writings, 168-74; died (1891), 255; typically American, 265 Luck of Roaring camp, the, Harte 241 Lyceum system, 175 McFingal, Trumbull 69 Magazines, in colonies, 60-61; in 20th century, 263-64 Magnalia Christi Americana,