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uld be spoken of more freely by a third person, than he could speak of himself. Moreover, he had a more dramatic way of telling a story than he had of writing it; and I have tried to embody his unwritten style as nearly as I could remember it. Where-ever incidents or expressions have been added to the published narratives, I have done it from recollection. The facts, which were continually occurring within Friend Hopper's personal knowledge, corroborate the pictures of slavery drawn by Mrs. Stowe. Her descriptions are no more fictitious, than the narratives written by Friend Hopper. She has taken living characters and facts of every-day occurrence, and combined them in a connected story, radiant with the light of genius, and warm with the glow of feeling. But is a landscape any the less real, because there is sunshine on it, to bring out every tint, and make every dew-drop sparkle? Who that reads the account here given of Daniel Benson, and William Anderson, can doubt that sl
William Anderson (search for this): chapter 1
s of slavery drawn by Mrs. Stowe. Her descriptions are no more fictitious, than the narratives written by Friend Hopper. She has taken living characters and facts of every-day occurrence, and combined them in a connected story, radiant with the light of genius, and warm with the glow of feeling. But is a landscape any the less real, because there is sunshine on it, to bring out every tint, and make every dew-drop sparkle? Who that reads the account here given of Daniel Benson, and William Anderson, can doubt that slaves are capable of as high moral excellence, as has ever been ascribed to them in any work of fiction? Who that reads Zeke, and the Quick Witted Slave, can pronounce them a stupid race, unfit for freedom? Who that reads the adventures of the Slave Mother, and of poor Manuel, a perpetual mourner for his enslaved children, can say that the bonds of nature are less strong with them, than with their more fortunate white brethren? Who can question the horrible tyranny
ut is a landscape any the less real, because there is sunshine on it, to bring out every tint, and make every dew-drop sparkle? Who that reads the account here given of Daniel Benson, and William Anderson, can doubt that slaves are capable of as high moral excellence, as has ever been ascribed to them in any work of fiction? Who that reads Zeke, and the Quick Witted Slave, can pronounce them a stupid race, unfit for freedom? Who that reads the adventures of the Slave Mother, and of poor Manuel, a perpetual mourner for his enslaved children, can say that the bonds of nature are less strong with them, than with their more fortunate white brethren? Who can question the horrible tyranny under which they suffer, after reading The Tender Mercies of a Slaveholder, and the suicide of Romaine? Friend Hopper labored zealously for many, many years; and thousands have applied their best energies of head and heart to the same great work; yet the slave-power in this country is as strong as
Isaac T. Hopper (search for this): chapter 1
biography differs from most works of the kind, in embracing fragments of so many lives. Friend Hopper lived almost entirely for others; and it is a striking illustration of the fact, that I have foutive slaves, which form such a prominent portion of the book, were originally written by Friend Hopper himself, and published in newspapers, under the title of Tales of Oppression. I have re-modelle, I have done it from recollection. The facts, which were continually occurring within Friend Hopper's personal knowledge, corroborate the pictures of slavery drawn by Mrs. Stowe. Her descriptions are no more fictitious, than the narratives written by Friend Hopper. She has taken living characters and facts of every-day occurrence, and combined them in a connected story, radiant with the lighsuffer, after reading The Tender Mercies of a Slaveholder, and the suicide of Romaine? Friend Hopper labored zealously for many, many years; and thousands have applied their best energies of head a
Daniel Benson (search for this): chapter 1
roborate the pictures of slavery drawn by Mrs. Stowe. Her descriptions are no more fictitious, than the narratives written by Friend Hopper. She has taken living characters and facts of every-day occurrence, and combined them in a connected story, radiant with the light of genius, and warm with the glow of feeling. But is a landscape any the less real, because there is sunshine on it, to bring out every tint, and make every dew-drop sparkle? Who that reads the account here given of Daniel Benson, and William Anderson, can doubt that slaves are capable of as high moral excellence, as has ever been ascribed to them in any work of fiction? Who that reads Zeke, and the Quick Witted Slave, can pronounce them a stupid race, unfit for freedom? Who that reads the adventures of the Slave Mother, and of poor Manuel, a perpetual mourner for his enslaved children, can say that the bonds of nature are less strong with them, than with their more fortunate white brethren? Who can question
of the Diseased Horse, 302. Visit to William Penn's Grave, 309. The Storm at Sea. Profane Language rebuked, 312. The Clergyman and his Books, 313. His Book-store in New-York, 313. The Mob in Pearl-Street, 315. Judge Chinn's Slave, 316. One of his sons mobbed at the South, 319. His Letter to the Mayor of Savannah, 327. His Phrenological Character, 335. His Unconsciousness of Distinctions in Society, 339. The Darg Case, 340. Letter from Dr. Moore, 356. Mrs. Burke's Slave, 357. Becomes Agent in the Anti-Slavery Office, 363. His youthful appearance, 363, 491. Anecdotes showing his love of Fun, 364 to 374. His sense of Justice, 374. His Remarkable Memory, 375. His Costume and Personal Habits, 378 to 380. His Library, 380. His Theology, 381. His Adherence to Quaker Usages, 382. Capital Punishment, 383. Rights of Women, 384. Expressions of gratitude from Colored People, 95, 384, 385, 476. His fund of Anecdotes and
0. Kane the Colored Man fined for Blasphemy, 211. John McGrier, 212. Levi Butler, 215. The Musical Boy, 217. Mary Norris, 220. The Magdalen, 221. The Uncomplimentary Invitation, 222. Theft from Necessity, 224. Patrick McKeever, 225. The Umbrella Girl, 229. The two young Offenders, 237. His courageous intercourse with violent Prisoners, 242. Not thoroughly Baptized, 245. The puzzled Dutchman, 245. Hint to an Untidy Neighbor, 247. Resemblance to Napoleon, 248, 314. The Dress, Manners, and Character of Sarah, his wife, 249 to 252, 382, 466. The Devil's Lane, 254. Jacob Lindley's Anecdotes, 256. Singular Clairvoyance of Arthur Howell, a Quaker Preacher, 258. Prophetic Presentiment of his Mother, 262. The aged Bondman emancipated, 264. A Presentiment of Treachery, 266. The Quaker who purchased a Stolen Horse, 270. Elias Hicks and the Schism in the Society of Friends, 273 to 286. Pecuniary difficulties, 287 to 291
448. His sympathy with Colored People turned out of the Cars, 448. A Methodist Preacher from the South, 452. His Disobedience to the Fugitive Slave Law, 455. His Domestic Character, 249, 377 to 380, 458 to 464. He attracts Children, 460. His Garden described in a Letter to L. M. Child, 461. Likenesses of him, 464. Letter concerning Joseph Whitall, 466. Letters concerning Sarah his wife, 466, 467. Letter to his Daughter on his 80th Birth-day, 469. Allusions to Hannah, his wife, 294, 370, 379, 476, 481. Letter resigning the agency of the Prison Association, 472. His last Illness, 470. His Death, 481. Letter from a Reformed Convict, 481. Resolutions passed by the Prison Association, 48 Resolutions passed by the Anti-Slavery Society, 484. His Funeral, 485. Lucretia Mott, 486, 487. Public Notices and Private Letters of Condolence, 487 to 493. His Epitaph, 493 I was a father to the poor: and the cause which I knew not I sear
383. Rights of Women, 384. Expressions of gratitude from Colored People, 95, 384, 385, 476. His fund of Anecdotes and his Public Speaking, 385, 415. Remarks of Judge Edmonds thereon, 412. His separation from the Society of Friends in New-York, 386 to 399. Visit to his Birth-place, 399. Norristown Convention, 400. Visit from his Sister Sarah, 401. Visit to Boston, 401. Visit to Bucks County, 406. Prison Association in New-York, 409. Correspondence with Governor Young, 413. Preaching in Sing Sing Chapel, 415. Anecdotes of Dr. William Rogers, 417, 459. Interesting Cases of Reformed Convicts, 419 to 443. Letter from Dr. Walter Channing, 444. Anecdotes of William Savery and James Lindley at the South, 446. Sonnet by William L. Garrison, 448. His sympathy with Colored People turned out of the Cars, 448. A Methodist Preacher from the South, 452. His Disobedience to the Fugitive Slave Law, 455. His Domestic Character, 249, 377
6. Thomas Harrison, 122. James Lawler, 123. William Anderson, 126. Sarah Roach, 129. Zeke, 133. Poor Amy, 137. Manuel, 139. Slaveholders mollified, 145. The United States Bond, 149. The tender mercies of a Slaveholder, 157. The Foreign Slave, 160. The New-Jersey Slave, 164. A Slave Hunter Defeated, 168. Mary Morris, 173. The Slave Mother, 176. Colonel Ridgeley's Slave, 179. Stop Thief! 185. The Disguised Slaveholder, 189. The Slave of Dr. Rich, 192. His Knowledge of Law, 202. Mutual Confidence between him and the Colored People, 204. Mercy to Kidnappers, 206. Richard Allen, the Colored Bishop, 208. The Colored Guests at his Table, 210. Kane the Colored Man fined for Blasphemy, 211. John McGrier, 212. Levi Butler, 215. The Musical Boy, 217. Mary Norris, 220. The Magdalen, 221. The Uncomplimentary Invitation, 222. Theft from Necessity, 224. Patrick McKeever, 225. The Umbrella Girl, 229.
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