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ramatic defects. It did not, as they say, keep the stage. My next literary venture was a series of papers descriptive of a visit made to the island of Cuba in 1859, under the following circumstances. Theodore Parker had long intended to make this year one of foreign travel. He had planned a journey in South America, and Dr. Howe had promised to accompany him. The sudden failure of Parker's health at this time was thought to render a change of climate imperative, and in the month of February a voyage to Cuba was prescribed for him. In this, Dr. Howe willingly consented to accompany him, deciding also that I must be of the party. Our departure was in rough weather. George Ripley, formerly of Brook Farm and then of the New York Tribune, an early friend of Parker, came to see us off. My husband insisted somewhat strenuously upon my coming to table at the first meal served on board, as this would secure me a place for the entire voyage. I felt very ill, and Parker, who was sea
r with terrific brow, Sweeping her back, through all her haughty ways, To her own gates, a piteous fugitive. I make mention of these things because the volume has long been out of print. It was a timid performance upon a slender reed, but the great performers in the noble orchestra of writers an-answered to its appeal, which won me a seat in their ranks. The work, such as it was, dealt partly with the stirring questions of the time, partly with things near and familiar. The events of 1848 were still in fresh remembrance: the heroic efforts of Italian patriots to deliver their country from foreign oppression, the struggle of Hungary to maintain her ancient immunities. The most important among my Passion Flowers were devoted to these themes. The wrongs and sufferings of the slave had their part in the volume. A second publication, following two years later, and styled Words for the Hour, was esteemed by some critics as better than the first. George William Curtis, at that t
r convent in which she was pursuing her education. This adventure made much noise at the time. Mrs. Eames once read me part of a letter from this lady, in which she spoke of the fatal Gurowski beauty. It was in the early years of this decade (1850– 1860) that I definitively came before the world as an author. My first volume of poems, entitled Passion Flowers, was published by Ticknor and Fields, without my name. In the choice and arrangement of the poems James T. Fields had been very hely Booth one day at dinner at my house, was so much impressed with her peculiar charm that, on the occasion of her death, he wrote a very sympathetic letter to Mr. Booth, and became thenceforth one of his most esteemed friends. The years between 1850 and 1857, eventful as they were, appear to me almost a period of play when compared with the time of trial which was to follow. It might have been likened to the tuning of instruments before some great musical solemnity. The theme was already su
Chapter 11: anti-slavery attitude: literary work: trip to Cuba Returning to Boston in 1851, I found the di. vision of public sentiment more strongly marked than ever. The Fugitive Slave Law was much in the public mind. The anti-slavery people attacked it with might and main, while the class of wealthy conservatives and their followers strongly deprecated all opposition to its enactments. During my absence Charles Sumner had been elected to the Senate of the United States, in place of Daniel Webster, who had hitherto been the political idol of the Massachusetts aristocracy. Mr. Sumner's course had warmly commended him to a large and ever increasing constituency, but had brought down upon him the anger of Mr. Webster's political supporters. My husband's sympathies were entirely with the class then derided as a band of disturbers of the public peace, enemies of law and order. I deeply regretted the discords of the time, and would have had all people good friends, however diver
ch delay, and devoted to it the months of one summer's sojourn at Lawton's Valley. This lovely little estate had come to us almost fortuitously. George William Curtis, writing of the Newport of forty years ago, gives a character sketch of one Alfred Smith, a well-known real estate agent, who managed to entrap strangers in his gig, and drove about with them, often succeeding in making them purchasers of some bit of property in the sale of which he had a personal interest. In the summer of 1852 my husband became one of his victims. I say this because Dr. Howe made the purchase without much deliberation. In fact, he could hardly have told any one why he made it. The farm was a very poor one, and the farmhouse very small. Some necessary repairs rendered it habitable for our family of little children and ourselves. I did not desire the purchase, but I soon became much attached to the valley, which my husband's care greatly beautified. This was a wooded gorge, perhaps an eighth of
amlet at the stage burial of Ophelia. Beside or behind him walked a young man of remarkable beauty, to be sadly known at a later date as Wilkes Booth, the assassin of Lincoln and the victim of his own crime. Henry Ward Beecher, meeting Mary Booth one day at dinner at my house, was so much impressed with her peculiar charm that, on the occasion of her death, he wrote a very sympathetic letter to Mr. Booth, and became thenceforth one of his most esteemed friends. The years between 1850 and 1857, eventful as they were, appear to me almost a period of play when compared with the time of trial which was to follow. It might have been likened to the tuning of instruments before some great musical solemnity. The theme was already suggested, but of its wild and terrible development who could have had any foreknowledge? Parker, indeed, writing to Dr. Howe from Italy, said, What a pity that the map of our magnificent country should be destined to be so soon torn in two on account of the
at Wallack's Theatre in New York. The principal characters were sustained by Matilda Heron, then in the height of her popularity, and Mr. Sothern, afterwards so famous in the role of Lord Dundreary. The play was performed several times in New York and once in Boston. It was pronounced by one critic full of literary merits and of dramatic defects. It did not, as they say, keep the stage. My next literary venture was a series of papers descriptive of a visit made to the island of Cuba in 1859, under the following circumstances. Theodore Parker had long intended to make this year one of foreign travel. He had planned a journey in South America, and Dr. Howe had promised to accompany him. The sudden failure of Parker's health at this time was thought to render a change of climate imperative, and in the month of February a voyage to Cuba was prescribed for him. In this, Dr. Howe willingly consented to accompany him, deciding also that I must be of the party. Our departure was
to the woes of exile, Gurowski once addressed a letter in the following form: To John Gurowski, the greatest scoundrel in Europe. A younger brother of his, a man of great beauty of person, enticed one of the infantas of Spain from the school or convent in which she was pursuing her education. This adventure made much noise at the time. Mrs. Eames once read me part of a letter from this lady, in which she spoke of the fatal Gurowski beauty. It was in the early years of this decade (1850– 1860) that I definitively came before the world as an author. My first volume of poems, entitled Passion Flowers, was published by Ticknor and Fields, without my name. In the choice and arrangement of the poems James T. Fields had been very helpful to me. My lack of experience had led me to suppose that my incognito might easily be maintained, but in this my expectations were disappointed. The authorship of the book was at once traced to me. It was much praised, much blamed, and much called in
Sally Baxter (search for this): chapter 12
y, a lovely lady, with pathetic dark eyes and a look of ill health. She was accompanied by her husband and little son. This was Mrs. Frank Hampton, formerly Miss Sally Baxter, a great belle in her time, and much admired by Mr. Thackeray. When we were introduced to each other, I asked, Are you the Mrs. Hampton? She asked, Are youme, and I have little doubt that in depicting the beautiful and noble though wayward girl he had in mind something of the aspect and character of the lovely Sally Baxter. In his correspondence with the family he was sometimes very playful, as when he wrote to Mrs. Baxter thanking her for the wickled palnuts and pandy breaches, whMrs. Baxter thanking her for the wickled palnuts and pandy breaches, which she had lately sent him. When we left Havana our new friends went with us to Charleston, and invited us to visit them at their home in Columbia, S. C. This we were glad to do. The house at which the Hamptons received us belonged to an elder brother, Wade Hampton, whose family were at this time traveling in Europe. Wade Hamp
Henry Ward Beecher (search for this): chapter 12
her, the service being held at the chapel in Mount Auburn. Hers was a most pathetic figure as she lay, serene and lovely, surrounded with flowers. As Edwin Booth followed the casket, his eyes heavy with grief, I could not but remember how often I had seen him enact the part of Hamlet at the stage burial of Ophelia. Beside or behind him walked a young man of remarkable beauty, to be sadly known at a later date as Wilkes Booth, the assassin of Lincoln and the victim of his own crime. Henry Ward Beecher, meeting Mary Booth one day at dinner at my house, was so much impressed with her peculiar charm that, on the occasion of her death, he wrote a very sympathetic letter to Mr. Booth, and became thenceforth one of his most esteemed friends. The years between 1850 and 1857, eventful as they were, appear to me almost a period of play when compared with the time of trial which was to follow. It might have been likened to the tuning of instruments before some great musical solemnity. Th
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