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Signorina Garcia (search for this): chapter 2
Society, and led to the occasional performance of a symphony of Beethoven or of Mozart, the taste of New York inclined more to operatic music. The brief visit of Garcia and his troupe had brought the best works of Rossini before the public. These performances were followed, at long intervals, by seasons of English opera, in whic taken to the opera during the Garcia performances, when I was scarcely more than seven years of age, and had seen and heard the Diva Malibran, then known as Signorina Garcia, in the roles of Cenerentola (Cinderella) and Rosina in the Barbiere di Seviglia. Soon after this time the doors were shut, and I knew of theatrical mattersing of my voice, Mr. Boocock recommended to my father Signor Cardini, an aged Italian, who had been an intimate of the Garcia family, and was well acquainted with Garcia's admirable method. Under his care my voice improved in character and in compass, and the daily exercises in holding long notes gave strength to my lungs. I th
. I had my first lessons from a a very irritable French artist, of whom I stood in such fear that I could remember nothing that he taught me. A second teacher, Mr. Boocock, had more patience, and soon brought me forward in my studies. He had been a pupil of Cramer, and his taste had been formed by hearing the best music in Londonars, and I learned from him to appreciate the works of the great composers, Beethoven, Handel, and Mozart. When I grew old enough for the training of my voice, Mr. Boocock recommended to my father Signor Cardini, an aged Italian, who had been an intimate of the Garcia family, and was well acquainted with Garcia's admirable method.telescope, saying, Signor Cardini, venez voir comme on travaille les Franqais. This must have had reference to some manoeuvre of the English fleet, I suppose. Mr. Boocock thought that it would be desirable for me to take part in concerted pieces, with other instruments. This exercise brought me great delight in the performance o
Signor Cardini (search for this): chapter 2
eciate the works of the great composers, Beethoven, Handel, and Mozart. When I grew old enough for the training of my voice, Mr. Boocock recommended to my father Signor Cardini, an aged Italian, who had been an intimate of the Garcia family, and was well acquainted with Garcia's admirable method. Under his care my voice improveds, and the daily exercises in holding long notes gave strength to my lungs. I think that I have felt all my life through the benefit of those early lessons. Signor Cardini remembered Italy before the invasion of Napoleon I., and sometimes entertained me with stories of the escapades of his student life. He had resided long in L related to me that once, when he was visiting the great soldier at his country-seat near the sea, the duke invited him to look through his telescope, saying, Signor Cardini, venez voir comme on travaille les Franqais. This must have had reference to some manoeuvre of the English fleet, I suppose. Mr. Boocock thought that it wou
John De Mesmekir (search for this): chapter 2
his incessant labors in behalf of his country. Although he did not live to sign the Declaration of Independence, he was one of the first men to prophesy the separation of the colonies from the mother country. married to a daughter of Governor Greene, of the same state. My mother was grandniece to General Francis Marion, of Huguenot descent, known in the Revolution as the Swamp-fox of southern campaigns. Her father was Benjamin Clarke Cutler, whose first ancestor in this country was John De Mesmekir, of Holland. Let me here remark that an expert in chiromancy, after making a recent examination of my hand, exclaimed, You inherit military blood; your hand shows it. My own earliest recollections are of a fine house on the Bowling Green, a region of high fashion in those days. In the summer mornings my nurse sometimes walked abroad with me, and showed me the young girls of our neighborhood, engaged with their skipping ropes. Our favorite resort was the Battery, where the flagst
Elizabeth Graham (search for this): chapter 2
, named for the General, was my junior by fifteen months, and continued to be my constant playmate until, at the proper age, he joined the others at Round Hill School. A few words regarding my mother may not here be out of place. Married at sixteen, she died at the age of twenty-seven, so beloved and mourned by all who knew her that my early years were full of the testimony borne by surviving friends to the beauty and charm of her character. She had been a pupil at the school of Mrs. Elizabeth Graham, of saintly memory, and had inherited from her own mother a taste for intellectual pursuits. She was especially fond of poetry and a few lovely poems of hers remain to show that she was no stranger to its sacred domain. One of these was printed in a periodical of her own time, and is preserved in Griswold's Female Poets of America. Another set of verses is addressed to me in the days of my babyhood. All of these bear the imprint of her deeply religious character. Mrs. Margaret
Margaret Armstrong Astor (search for this): chapter 2
th Graham, of saintly memory, and had inherited from her own mother a taste for intellectual pursuits. She was especially fond of poetry and a few lovely poems of hers remain to show that she was no stranger to its sacred domain. One of these was printed in a periodical of her own time, and is preserved in Griswold's Female Poets of America. Another set of verses is addressed to me in the days of my babyhood. All of these bear the imprint of her deeply religious character. Mrs. Margaret Armstrong Astor, of whom more will be said in these annals, remembered my mother as prominent in the society of her youth, and spoke of her as beautiful in countenance. An old lady, resident in Bordentown, N. J., where Joseph, ex-king of Spain, made his home for many years, had seen my mother arrayed for a dinner at this royal residence, in a white dress, probably of embroidered cambric, and a lilac turban. Her early death was a lifelong misfortune to her children, who, although tenderly bred
said to me: Julia, your mother's tact was remarkable, and she showed it on that day, for, knowing me to be a young woman of serious character, she presented me on my arrival with a plain linen collar which she had made for me. On a table beside her lay Law's Serious call to the Unconverted. Don't you see how well she had suited matters to my taste? This aged relative used to boast that she had never read a novel. She desired to make one exception in favor of the story of the Schonbergr Cotta family, but, hearing that it was a work of fiction, esteemed it safest to adhere to the rule which she had observed for so many years. Her son, lately deceased, once told me that when she felt called upon to chastise him for some childish offense, she would pray over him so long that he would cry out: Mother, it's time to begin whipping. Her husband was a son of General Nathanael Greene, of Revolutionary fame. The attention bestowed upon impressions of childhood to-day will, I hope,
Howe Italian (search for this): chapter 2
brilliant beginning, but soon fell off from my first efforts. The study of languages was very congenial to me; I had been accustomed to speak French from my earliest years. To this I was enabled to add some knowledge of Latin, and afterward of Italian and German. The routine of my school life was varied now and then by a concert and by Handel's oratorios, which were given at long intervals by an association whose title I cannot now recall. I eagerly anticipated, and yet dreaded, these occe me lessons for many years, and I learned from him to appreciate the works of the great composers, Beethoven, Handel, and Mozart. When I grew old enough for the training of my voice, Mr. Boocock recommended to my father Signor Cardini, an aged Italian, who had been an intimate of the Garcia family, and was well acquainted with Garcia's admirable method. Under his care my voice improved in character and in compass, and the daily exercises in holding long notes gave strength to my lungs. I t
Howe German (search for this): chapter 2
n use. Removing to another school, I had excellent instruction in penmanship, and enjoyed a course of lectures on history, aided by the best set of charts that I have ever seen, the work of Professor Bostwick. In geometry I made quite a brilliant beginning, but soon fell off from my first efforts. The study of languages was very congenial to me; I had been accustomed to speak French from my earliest years. To this I was enabled to add some knowledge of Latin, and afterward of Italian and German. The routine of my school life was varied now and then by a concert and by Handel's oratorios, which were given at long intervals by an association whose title I cannot now recall. I eagerly anticipated, and yet dreaded, these occasions, for my enjoyment of them was succeeded by a reaction of intense melancholy. The musical stars of those days are probably quite out of memory in these later times, but I remember some of them with pleasure. It is worth noticing that, while the earlies
sic. The brief visit of Garcia and his troupe had brought the best works of Rossini before the public. These performances were followed, at long intervals, by seasons of English opera, in which Mrs. Austin was the favorite prima donna. This lady sang also in oratorio, and I recall her rendering of the soprano solos in Handel's Messiah as somewhat mannered, but on the whole quite impressive. A higher grade of talent came to us in the person of Mrs. Wood, famous before her marriage as Miss Paton. I heard great things of her performance in La Sonnambula, which I was not allowed to see. I did hear her, however, at concerts and in oratorios, and I particularly remember her rendering of the famous soprano song, To mighty kings he gave his acts. Her voice was beautiful in quality and of considerable extent. It possessed a liquid and fluent flexibility, quite unlike the curious staccato and tremolo effects so much in favor to-day. My father's views of religious duty became much mo
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