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in, and a crowd of other people came in, as it was grande reception, and I came home . . . . February 3.—I divided the evening between the Princess Belgiojoso's and the Duchess de Rauzan's; both their saloons were full. In both, too, I found Berryer, the leader of the Carlists in the Chamber of Deputies, and their most able agent and defender in France. He talked well. Before I knew who he was, I had a long conversation with him, Mignet, and the Princess, on the present state of the Frenc there were heaps of Carlists, the Bethunes, the Crillons, the Circourts, Count Bastard, . . . . and among the rest Jusuf, with his picturesque costume, and that sort of spare Arab beauty which Scott has given to Saladin in the Crusaders. . . . Berryer was there, and brilliant. March 4.—. . . . I was tired in the evening, but went to Thiers', where, with a few other distinguished persons, chiefly politicians, I met Cousin, Villemain, and Mignet, and had a very agreeable talk. Cousin, howev
Baldissero (search for this): chapter 7
the multitude attracted and distributed through the different rooms. Nothing could well be more brilliant than the lighting, nothing more tasteful than the dresses. I have seen more diamonds both in Dresden and in Madrid; and, indeed, the Duchess of Anglona, to-night, made more show than anybody else, with the diamonds that, I suppose, I used to see worn by the old Duchess of Ossuna, twenty years ago. . . . . Having quite accidentally fallen in with Mad. Martinetti, the Count and Countess Baldissero, and the Spanish Ambassador Campuzano, we made one party with them till about one o'clock, when the ladies went in together to supper. We gentlemen stood and saw them pass through, to the number of more than fifteen hundred. It was a beautiful sight. After the King and Queen, nobody attracted so much attention as the very picturesque Princess Belgiojoso. But the whole was striking. The supper, which was in the theatre of the palace, was, I am told, both magnificent and tasteful,
d was introduced at Thiers' house. He lives in a good deal of splendor, with his father-in-law, the banker Dosne, and his rooms to-night were full, chiefly of deputies, among whom, however, I distinguished no considerable notabilitye, except Marshal Maison and the Count Montalembert, who is of the Chamber of Peers. However, I went only to see Thiers, and looked but little about me. He is a short man, wearing spectacles, a little gray-headed, though hardly above forty years old, and with a verytrangeres. Just so it was at Thiers'. The Place St. George, on which he lives, was full of carriages, and though I arrived late, the crowd was still coming. The ex-minister was in excellent spirits, and all about him seemed so too. Arago, Marshal Maison, Mignet, Odillon-Barrot, and the rest of the leaders of the party were more gay than the corresponding personages whom I had just left at Guizot's. Thiers himself talked with everybody, and seemed pleased with everybody, even with Count Mont
Victor Hugo (search for this): chapter 7
y. The old French drama, and especially the comedy, from Moliere's time downwards, contained often gross and indelicate phrases and allusions, but the tone of the pieces, as a whole, was generally respectable. The recent theatre reverses all this. It contains hardly any indecorous phrases or allusions, but its whole tone is highly immoral. I have not yet seen one piece that is to be considered an exception to this remark. The popular literature of the time, too, is in the same tone. Victor Hugo, Balzac, the shameless woman who dresses like a man and calls herself George Sand, Paul de Kock, and I know not how many more, belong to this category, and are daily working mischief throughout those portions of society to whom they address themselves. How is this to be explained? Is it that the middling class of society, that fills the smaller theatres and reads the romances of the popular writers, is growing corrupt; that the progress of wealth, and even of education, has opened doors
Chapter 7: Thierry. Duchess de Rauzan. Bastard's work on painting in the dark Ages. Montalembert. Mad. Murat. Mad. Amable Tastu. Princess Belgiojoso. Thiers. debate in the Chamber of Peers. Chateaubriand. politics. Farewells. General view of society, etc. Journal. January 2, 1838.—I passed thisn politics. His conversation is acute, but not remarkable. January 14.—I spent the early part of the evening at the Countess Lipona's, the name under which Madame Murat passes here. Caroline Bonaparte. Lipona is an anagram of Napoli, her former kingdom. She is a very good-looking, stout person, nearly sixty years old, I sure in the opposition; and many a Bonapartist cannot or will not be seen there, though the King himself treats them kindly enough as a party, and even permits Mad. Murat to live in Paris for the prosecution of claims against the government, and lately received Prince Musignano with a sort of distinction which he [Musignano] boasted
Amable Tastu (search for this): chapter 7
Thierry. Duchess de Rauzan. Bastard's work on painting in the dark Ages. Montalembert. Mad. Murat. Mad. Amable Tastu. Princess Belgiojoso. Thiers. debate in the Chamber of Peers. Chateaubriand. politics. Farewells. General view formal invitation. Fauriel was there, of course, and Mohl; but there was, also, a number of ladies, among whom were Mad. Tastu, the well-known authoress; the Princess Belgiojoso,—the well-known lady of fashion, and one of the most striking and distits tone. Nothing else can approach Mad. de Pastoret. . . . . January 28.—In the afternoon we made a visit to Mad. Amable Tastu, on the whole the most distinguished of the present female authors of France. She is about five-and-forty years old, er, and of an excellent reputation. Her husband has lost his fortune, and not showing energy enough to recover it, Mad. Tastu has for some years supported her family by her pen. Her poems, in three volumes, are the best of her works, and indeed sh
De Gerando (search for this): chapter 7
ofessor of Latin at the College de France, the remplacant of Villemain; Droz, of the Academy of Moral Sciences, etc. The talk was, of course, all on literary subjects, and Fauriel was clearly the first spirit at table. In the evening, it being De Gerando's reception evening, a crowd came in; members of the Institute, peers, deputies, and men of letters in abundance. At ten I went to the de Broglies', where I found only Guizot and four or five others, and had a most agreeable time. . . . . Fion of government, than if there were but two great divisions running through the whole. . . . . Now here are five different sets, and though it was possible to escape from them all, and go to the literary and philosophical salons of Lamartine, De Gerando, Jomard, Jouy, and some others, yet it is a chance if you would not, after all, even there, fall into the midst of. political disputes between some of those who, even on this neutral ground, could not help the ascendancy of the partisanship tha
M. Fauriel (search for this): chapter 7
went last evening to Miss Clarke's, where there was rather more of a party than usual, collected by formal invitation. Fauriel was there, of course, and Mohl; but there was, also, a number of ladies, among whom were Mad. Tastu, the well-known authhot climate she makes in this cold weather–of her Italy. There was much fashion there, and many men of letters: Mignet, Fauriel, Mohl, Quinet, Baron d'eckstein, etc. I saw, too, for the first time, the Count de Montalembert and his graceful wife, wron De Gerando's, with a tolerably large party of men of letters, whom he had asked to meet me, or at least he had asked Fauriel and one or two others on my account; Patin, the Professor of Latin at the College de France, the remplacant of Villemain; Droz, of the Academy of Moral Sciences, etc. The talk was, of course, all on literary subjects, and Fauriel was clearly the first spirit at table. In the evening, it being De Gerando's reception evening, a crowd came in; members of the Institute,
Maximilian Duke (search for this): chapter 7
, whom I used to know here, nineteen years ago; See Vol. I. p. 254 et seq. and she remembered me enough to signify her pleasure that I should come to see her. So I went, but she does not receive till half past 10 o'clock at night, and that is a little too ultra-fashionable for my comfort. I found there the Marquise de Podenas, who was the lady that managed so long the affairs of the Duchess de Berri; See ante, p. 41. Mlle. de Bethune, of the old Sully family; a fine, white-headed old Duke, of the time and with the manners and dress of the reign of Louis XVI.; Count Circourt; the Baron d'eckstein; Count Bastard, etc. The last person has been employed for twenty years—with the assistance of the successive governments that have prevailed in France —in collecting from manuscript miniatures the materials for a history of painting, from the fall of the art in the fourth century to its entire restoration under Raffaelle. The first numbers will come out in May next; there will be
Louis Philippe (search for this): chapter 7
forgetting, apparently,—when he spoke of painting, for instance, or the opera,—that he cannot hope ever again to enjoy either of them. We finished the evening at Mad. de Broglie's, where we met Villemain; Duchatel, one of the ministers of Louis Philippe; with Guizot, Lady Elgin, and two or three others; besides Doudan and the d'haussonvilles, who are always there. It was a tres petite soiree, and very agreeable. . . . . January 10.—It was the first grand ball of the season to-night at tho call her Reine. Prince Musignano was there, and perhaps in the course of an hour twenty people came in, for it was her reception evening; but the whole, I suppose, was Bonapartist, for I happen to know that those who wish to stand well with Louis Philippe avoid her doors; a weakness on his part as great as that which, on hers, permits her to be called Queen. . . . . January 17.—I passed a large part of to-day with H. Ternaux, who was formerly in the United States, since which time he has b
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