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XX. CAMMA1

There were in Galatia two of the most powerful of the tetrarchs, distantly related to each other, Sinatus and Sinorix. One of these, Sinatus, had married a maiden, Camma by name, conspicuous for her form and beauty, but even more admired for her virtues. Not only was she modest and fond of her husband, but she was also quick-witted and high-minded, [p. 553] and unusually dear to her inferiors by reason of her kindness and benevolence. A thing that brought her into greater prominence was the fact that she was the priestess of Artemis, whom the Galatians especially reverence, and was seen magnificently attired always in connexion with the processions and sacrifices.

So Sinorix fell in love with her, and not being able to prevail upon her either by persuasion or force as long as her husband lived, he committed a horrible deed, and treacherously killed Sinatus. Then, without allowing much time to elapse, he commenced to woo Camma, who was spending time in the temple and bearing Sinorix's lawless transgression in no pitiful nor abject manner, but with a spirit that showed sense and bided its time. He was persistent in his suit, and seemed not to be at all at a loss for arguments that had some plausibility, to the effect that in all other respects he had shown himself a better man than Sinatus, and had made away with him for love of Camma and not because of any other nefarious intent. The woman's denials at the first were not too peremptory, and later, little by little, she appeared to be softened; for her relatives and friends also brought pressure to bear upon her by way of service and favour to Sinorix, who held such very great power, and they tried to persuade and coerce her. Finally she yielded, and sent for him to come to her, on the ground that the consenting and pledging should take place in the presence of the goddess. When he had come, she received him kindly and, having led him to the altar, poured a libation from a bowl, then drank a portion herself and bade him drink the rest; it was poisoned mixture [p. 555] of milk and honey. When she saw that he had drunk, she uttered a clear cry of joy, and, prostrating herself before the goddess, said, ‘I call you to witness, goddess most revered, that for the sake of this day I have lived on after the murder of Sinatus, and during all that time I have derived no comfort from life save only the hope of justice; and now that justice is mine, I go down to my husband. But as for you, wickedest of all men, let your relatives make ready a tomb instead of a bridal chamber and a wedding.’

When the Galatian heard these words, and felt the poison already working and creating a disturbance in his body, he mounted a chariot as if to try shaking and jolting as a relief, but he got out almost immediately and changed over into a litter, and in the evening he died. Camma endured through the night, and when she learned that he had come to his end, she died cheerful and happy.

1 The Cup, a drama by Alefred Lord Tennyson, follows closely Plutarch's story of Camma, which inspired it. The play (published in 1884) may be found in Tennyson's collected works. It was presented at the Lyceum Theatre in 1881 by Henry Irving and ran for over one hundred and thirty nights. Certainly the account of Camma's death does not lack dramatic quality.

Plutarch repeats the story in Moralia, 768 b, and Polyaenus, Strategemata, viii. 39, also gives his version.

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load focus Greek (Gregorius N. Bernardakis, 1889)
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